How to come up with an excursion. Excursion

  • 09.12.2021


* Calculations are based on average data for Russia

49 000 ₽

Initial attachments

121 500 ₽

81 000 ₽

Net profit

2 months

Payback period

City walking tours are leisure activities that allow you to delve deeper into the history of the streets. In the business plan, we will consider excursions with elements of the performance, which can bring from 80 thousand rubles.

1. SUMMARY OF THE PROJECT

This business plan deals with a walking tour project in a city of over 1 million. The project is the organization of events in the format “excursion + street performance”. The financial resources required to start the project will amount to 49 thousand rubles. and will be used for the purchase of excursion equipment, the creation of presentation materials, the purchase of costumes for actors and stage attributes.

The projected amount of revenue per month for one excursion per week and the participation of 15 excursionists in it will amount to 121.5 thousand rubles, net profit 81.5 thousand rubles. The financial plan is designed for a three-year period of activity. After that, it is planned to expand the types of excursions and update the program of events. The project will require a preparatory stage for a period of 3 months, necessary for writing a script, conducting test excursions and rehearsals, as well as creating advertising products and pre-filling social networks.

Table 1. Key project indicators


2. DESCRIPTION OF THE INDUSTRY AND COMPANY

City walking tours are an increasingly popular type of excursion that allows participants to delve deeper into the history of the streets, explore objects and imagine themselves as part of past events. Unlike bus tours, they allow for more flexible routes and provide participants with a logical and coherent vision. The length of such routes usually does not exceed 6 kilometers, while the duration is no more than 3 hours.

From the point of view of organization, walking excursions require much less financial and time costs, since there is no need to conclude an agreement with a transport company, coordinate the travel time with the driver and adjust the route of the excursion to the traffic rules. At the same time, creating a walking route requires a more thoughtful scenario. Display objects should be fairly close to each other. Physical readiness is required from sightseers, and from a guide - the ability to keep the pace and promptly drive those who lag behind the group. A feature of the excursion business in major cities such as Moscow and St. Petersburg is a high level of competition. In other cities with a population of one million and regional centers with a population of less than a million inhabitants, the competition is not so significant, but it is rather difficult to immediately stand out against the background of existing proposals.


This project proposes the organization of events, the format of which will combine an excursion with a thematic performance on the history of the city. The choice of this format was due to the high competition among the organizers of excursions. On the one hand, such an event will require a lot of time and money to organize, on the other hand, if it is well positioned, it will attract public attention and can become one of the most significant cultural events in the city. The project will be implemented on its own on the basis of the organizer's knowledge of the history of the city and interest in local history, the presence of some skills in this area, a certificate of completion of courses for guides, as well as personal connections with creative personalities of the city, who will be involved in the performance in as partners.

3. DESCRIPTION OF GOODS AND SERVICES

Initially, two excursion scenarios will be developed, each of which will include a short 30-minute excursion-themed street performance. The duration of one of the events will be 3 hours, the other 2 hours and 30 minutes. Participation fees will be split for children and adults (see Table 2). The cost was determined taking into account the analysis of competitors' proposals. So, the cost of a regular walking tour in the regions varies from 400 to 650 rubles, the cost of bus tours or excursions with any additional services, including a quest, coffee break, etc., ranged from 1100 to 1500 rubles. Thus, 800-950 rubles is, with one more expensive option compared to regular excursions, but at the same time more profitable against the background of similar offers.

Table 2. Description of goods and services


We also note that at the start of the project, it is planned to conduct two or three free excursions to draw attention to the project, when the excursionists themselves will determine the level of remuneration for the guide. In addition, excursionists will have access to free audio materials and photographs offered by the guide during the excursion, incentive prizes for activity during the excursion (badges, souvenirs, key rings, etc.).

4.SALES AND MARKETING

The target audience of the project will be, on the one hand, the age audience actively interested in the history of the city (mainly women aged 35-40), on the other hand, creative youth from 18 to 30 years old, as well as tourists and guests of the city. The process of organizing sales and advertising will require several stages.

    Preparatory stage. At this stage, two months before the start of sales, pages are created on the social networks Vkontakte, Odnoklassniki and Instagram, which are planned to be used as generators of the main stream during the main period of work. Communities are filled with thematic content on the history of the city, a preliminary recruitment of the target audience is made, advertising messages are published about a set of trial free excursions. A one-page website is being created with basic information about the cost, time of excursions, itinerary and contacts for an appointment. Advertising templates are created and advertisements are printed.

    First stage. Two or three free excursions are held, during which photographs are taken, feedback from participants is collected, and gaps in the organization that have arisen along the way are eliminated. Whenever possible, the attention of the Internet media and television is attracted. Further, advertising posts are published in popular groups of the city in social networks. There is an active distribution of advertisements in places visited by tourists.

    The main stage. Ongoing advertising activities using all available channels to reach the target audience. At the same time, contacts are being established with the heads of museums, cultural and entertainment institutions, anti-cafes, who can place advertisements on their own sites, and ads are being distributed. The following can also be used as additional channels of customer inflow:

    own blog of the city history guide;

    partnerships with travel companies with the transfer of clients for a percentage;

    partnership with tourist information centers (transferring clients for a percentage, placing advertisements or business cards).


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Table 3 shows the approximate expenses for advertising purposes in the main period of work. Filling content groups in social networks and updating information on the site is planned to be organized on its own. Applications for participation in the excursion will be accepted by telephone, payment will be collected by the organizer before the start of the event. In the future, it is planned to use special services (timepad and others).

5. PRODUCTION PLAN

At the initial stage, it is planned to organize excursions-performances with a frequency of once a week - on Saturdays or Sundays, in the daytime. To create performances, you will need to hire actors from among the volunteers of the acting circle at one of the city's universities. The cast will include five permanent actors and three people who play either cameo roles or are called on to replace. To start the activity, you will need to purchase the necessary stage and excursion equipment. Expenses for these purposes will amount to about 39.2 thousand rubles.

Table 4. List of required equipment and inventory

When conducting one excursion per week, taking into account the participation of 10 adult excursionists with an average check of 900 rubles, the monthly proceeds will be 81 thousand rubles. This plan is planned to be adhered to during the first year of operation. The plan for the second year of operation will be 15 participants per excursion, i.e. 121.5 thousand rubles per month In the future, with an increase in the number of participants and the organization of two excursions per week, the planned revenue can be increased by one and a half to two times.

6. ORGANIZATIONAL PLAN

The project will require a preparatory period of 3 months, during which the route of the excursion, the script of the performances is created, rehearsals are organized, the selection of actors, etc. Unlike many countries in the world, Russia does not require a license to provide excursion services. In order for the activity to be carried out within the framework of the legal field, only the registration of an individual entrepreneur is required. Activity codes according to OKVED:

  • 79.90.2 Activities for the provision of excursion tourism services
  • 79.90.22 Activities of independent guides and guides in the provision of excursion tourist services.

The deadline for processing documents for registration of an individual entrepreneur will be 3 days. The state duty is 800 rubles. The most expedient taxation system for this type of business is a simplified one, where the object of taxation is income of 6%.

Documents for business on walking tours:

We will also give a list of documents required to conduct activities within the framework of the legal field:

    contract for services where all offers of excursions, their obligations and those moments for which the company is not responsible will be indicated;

    job description for employees... It details the job responsibilities for each position and an action plan in the event of an emergency;

    contracts with employees... Not necessarily according to the Labor Code, but the contractual basis must be fixed;

    for employees (preferably) - a document that confirms the status of a teacher of history / culture / philology, etc. or the right to engage in tourist business.


Additionally, it is necessary to draw up a memo for customers, rules of safe behavior on the route and a list of possible sources of hazards that may be encountered. Also, in some cases, the guides require accreditation. For example, to conduct excursions, foreigners need a special permit from the state sample.

The project team

The project team will include two organizers and at the same time performers of the project in the person of the guide and the head of the theater troupe, as well as the actors themselves.

    Guide. This is a person with a historical or philological education, who knows English, is fond of local history and the history of the city, there is a certificate of passing the courses of a guide from a specialized training center that trains personnel for the tourism industry. Personal qualities: communication skills, competent speech, well-placed voice, creativity and resourcefulness, the talent of a teacher and psychologist, patience.

    Head of the theater troupe. She has experience as a director in a student theater, talent as an organizer, advertiser, designer.

    Actors. A group of actors of eight people (five regular actors, three - on the substitution), participants in major theatrical competitions, city performances, a troupe at the student theater. The actors will be paid 500 rubles per performance. Based on the experience of such projects, it is recommended to select a replacement troupe for all roles (in case of illness of the actors, failure to appear at rehearsals / performance for family or other reasons, etc.).

7. FINANCIAL PLAN

The financial plan takes into account all the income and expenses of the project. Initial investments in the project will amount to 49 thousand rubles. The expenses of the main period of work will include the wages of the actors - 22,500 rubles, the cost of advertising and promoting the project. A detailed financial plan of the project, taking into account tax deductions, is given in Appendix 1.

Table 5. Investment costs of the project

NAME

AMOUNT, rub.

Equipment and inventory

Equipment for excursions

Inventory for performances

Intangible assets

IP registration

Leaflet printing

Funds for the salaries of actors (for the first 2 excursions)


Table 6. Costs of the main period







8. EVALUATION OF PERFORMANCE

Thanks to the minimum investment, the project is able to pay off in the second month after the start of sales of excursions. The annual turnover of the project in the first year will amount to 972 thousand rubles, net profit - 521.8 thousand rubles. Profitability - 53%. Annual turnover in the second year - 1,458 thousand rubles, net profit - 978.2 thousand rubles, profitability - 67%.

9. RISKS AND WARRANTIES

The project will require minimal investment in opening, there are completely no rental costs and no connection to any real estate and material values ​​(the product is intellectual and acting work), and therefore all financial risks are minimal. Most of the possible difficulties can be associated with internal problems - mistakes in the organization, incorrect promotion, incorrect presentation of information by excursionists, etc. These risks are prevented, firstly, through thorough preparatory work, which should include writing a high-quality scenario for the excursion and the performance, and testing them. Secondly, a competent analysis of the market is important: monitoring of all current offers in the field, analysis of the pricing and advertising policies of competitors, their methods of smoothing out the seasonality factor, and so on. The key factor for the main period will be work on improving the quality of services, expanding the list of services, providing customer feedback and advertising.

There are also external risk factors - competition, an unfavorable situation in the country's economy, affecting the population's ability to pay and forcing them to give up leisure, and so on. To minimize these factors, high-quality promotion is required from the first days of the project's existence, and in the long term - the acquisition of status and recognition of the event as a significant cultural event in the city, which is attended by representatives of medium and large companies and which is actively advised by tourists and guests of the city.

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Photo: Official portal of the Mayor and the Government of Moscow

How to see the ancient city among skyscrapers and cars? Where is the utopia house located? Who comes up with city tours and who goes on them? How to get the right route and make a person listen carefully? Larisa Skrypnik, a leading guide of the City Excursion Bureau of the Museum of Moscow, told the site about the pros and cons of the work of a guide, about the mysteries of Moscow and the best excursionists.

- It seems that everything has already been told about Moscow, all the city's labyrinths and nooks have been passed, and suddenly a new route appears, a new excursion - how is this possible?

- The Museum of Moscow, where I work, is celebrating its 120th anniversary this year. And all these years the museum staff have been studying the city, its history, following all the changes that take place in the metropolis. There are thousands of documents, books, photographs in our collection that are still being researched. This alone gives many reasons for a new look even at the most trivial excursions.

There is, of course, a mandatory block of excursions. As a rule, this is a sightseeing tour of Moscow, Red Square, the historical center, which are intended specifically for the first acquaintance with the city - for those who want to learn about the city in which they live. There are many of them - as experience shows, Muscovites often know the city poorly. It seems to a person: I am here, I will have time for everything - and he passes by interesting places, not paying attention to them. But when interest is shown, the person, as a rule, becomes our regular customer. That is, the one who came once begins to walk constantly. It is very joyful to see how the popularity of walking and bus excursions increases from year to year: more and more citizens want to know the maximum about the capital.

But there is another block of routes - those that we come up with on our own. These are always unusual walks in which we show the city from a new perspective. They can be thematic, timed to specific dates, events. So, we constantly have new routes around the unknown Moscow. We really want to show our beloved city from different sides; I would like the participants of the walks to fall in love with Moscow as much as we do. And such excursions, as a rule, are in great demand.

- Can you tell us more about such routes?

- There was an interesting story during the celebration of the anniversary of Nikolai Vasilyevich Gogol. We were asked to come up with a walking tour of Gogol's places. Moreover, they asked to show not only the monuments to the writer, which are located at a distance of 400 meters from each other, not only the temple of Simeon the Stylite, of which Gogol was a parishioner, but something else unusual. In a sense, this is a challenge, I love such things very much. I had to do a walking tour and tell a lot about Gogol. As a result, with great interest for myself, I discovered more than 20 places associated with Nikolai Vasilyevich, on the Arbat. Not in Moscow as a whole, but only on the Arbat. Exclusive excursions are born, for example, from such an offer - to help someone with a topic.

Or, for example, an excursion dedicated to 1612 in Moscow. She was not particularly in demand, no one ever asked to drive to these places. But when the request did appear, it turned out that it was indeed a very interesting excursion. Of course, excursions are also born because you yourself really like something. I love architecture and of course I came up with a walking tour of Art Nouveau. Routes may appear after you've read an interesting book. Nowadays there are a lot of memoirs, all kinds of works by pre-revolutionary Moscow scholars, which we did not know before. You read - and suddenly you see the area completely different, not the way you imagined it, and you have an idea to make an excursion around this place and show Moscow from some, perhaps, unexpected side.







- How does it happen? How is the excursion prepared?

- First, the search for material begins: reading special literature, diaries, going to libraries and, of course, studying the area itself, which you are going to talk about. Sometimes, when you walk the streets, walk into alleys, into courtyards, you discover absolutely incredible treasures that people have not seen. For example, Nikitsky Boulevard is such a front street. But once, when I was preparing an excursion there, I saw a metal gate with a door, behind which it was written that there was a repair of shoes or some kind of hardware. In general, a completely unpresentable door. But when I entered this gateway, I realized that it was a whole city with labyrinths. Who would have thought that this could be? People are always very interested in this. As if you are immersed in the past, and you can imagine how you would feel if you lived in this house and your windows looked out onto this courtyard….

- You said that you have developed a guided tour of Art Nouveau, but this is not quite a Moscow style, what are you showing?

- Since this is a walking tour, it passes between Ostozhenka, Prechistenka and in the lanes. This is Isakov's tenement house, Kekushevsky, and the own house of the architect Kekushev. This is also the apartment house of the peasant Loskov. We had such wonderful peasants who could invite the best architects and build houses in the Northern Art Nouveau style. There are really not many of them in Moscow, basically this style is widespread in St. Petersburg.

- It seems to me that the most difficult thing in your work is to make people listen, not all guides and not always succeed.

- You just need to know and understand: people cannot endlessly listen to a set of some facts, even if they are interesting enough, they still need some kind of relaxation. But it is important not just to giggle about something, but that it is tied to the topic. And by the way, on excursions sometimes the participants themselves help to find such relaxing moments. Once, on a tour of the Arbat and Arbat lanes, I had a wonderful girl of about seven years old. On the Arbat, every building has a history, and I want to tell you about everything. I started talking about the house with the knights opposite Tetr Vakhtangov and said that, unfortunately, not all of the knights survived, and this girl tells me: "But I can tell where this knight has gone." I ask: where? She says: “The fact is that he fell in love with this princess - and the Vakhtangov Theater has the Princess Turandot fountain, - he fell in love, went downstairs, bought her jewelry, but she did not accept the gift. Therefore, the knight was upset and left. " This is lovely! Now I always tell this, such a vivid perception by a child of Moscow with its history.

- How long does it take to prepare an excursion?

- It depends on the topic. There are those for which a huge amount of literature has been written, and here you just need to select what you are interested in. There are topics that require serious preparation, maybe even inquiries, meetings with some people who have information on a particular area. The residents themselves tell interesting things. It is always a lot of work.

The selection of material is one of the most exciting moments, and here it is important to control yourself. You search, read, and it is so fascinating that by three o'clock in the morning you can be somewhere in general on the other side of Moscow. Because when you prepare material, one fact clings to another: but the last name slipped through, but not to clarify ... It is very difficult, but even more difficult to choose something when you have collected a huge amount of material and understand that it is impossible to tell everything , - it is always a pity to remove some of the information.

Then comes another very important point: you have to link all the objects ... It is clear, if the tour is thematic, for example, our "Moscow Ambassadorial", then everything is more or less clear. And if this is an excursion along the street and there are absolutely dissimilar buildings, completely different stories, but you have to connect them in some way to each other, you have to get a story.

I had a wonderful excursion, I led her along Volkhonka, and one of the excursionists, as an intelligent person, warned me in advance that she needed to pick up the child from kindergarten, so she would leave in 50 minutes quietly in English. And I am leading the tour and I understand that 50 minutes have passed, an hour has passed, and the woman is still with us. And I say to her: "Excuse me, please, but it seems to you that the child should be taken from the kindergarten." She says: “You understand, I just can't leave. You finish telling and you are so engaging with the next that we will now see further that I cannot leave in any way. " That was the right excursion, since it happened so.

There are also purely technical moments, special ones, which also need to be taken into account: how to stand up correctly so that everyone can hear you, so that you can react to the expression on your face, eyes, so that you can see the tourists and at the same time do not interfere with them seeing objects; how to stand up to show the object as much as possible; how to stand up so that you can talk about several objects without leaving your seat. When preparing a tour, it takes extra time. For example, I walk down the street and begin, to the surprise of passers-by, to run from one place to another, cross the street, come back, in order to understand where it is better for me to put the group. And here you need to show your imagination.

There are many other nuances. For example, you need to take into account the location of pedestrian crossings: where they are, is it convenient for you to cross from this side to the opposite, so that later you do not return to this crossing through another crossing, somehow go further along the route, because people are not interested in the same place to walk back and forth. In general, this is a very big job in fact.

- Let's try to name the pluses and minuses of your profession.

- I was asked this question on excursions ... But it turns out that the minuses turn into pluses. Of course, this is a job that requires a lot of physical exertion, because you need to move a lot both in the preparation process and during the excursion. And they sometimes last two or three hours, and sometimes six or seven.

The weather that we do not choose, and our Moscow weather does not please, let's say, most of the year. Further - that you always work, because you have to be in the subject of modern Moscow, to know everything new that appears, new books about Moscow, new information, new objects. There is so much material that you can never master it completely, but you always strive for it. As a result, you constantly train your memory, your mind, you are always on the move and constantly in the fresh air.

And also people are different, and you make a lot of effort in order to keep your attention. When this happens, I feel a tremendous moral upsurge, because I give my energy to people, and they in return - theirs. After the excursion, I always feel emotionally charged. Everything is interconnected here, and if you like it, then you enjoy it more.

The city excursion bureau has developed more than 80 topics dedicated to the history and modernity of Moscow and its famous citizens.

The mos.ru portal decided to figure out where the routes come from and what makes people go on excursions around the city. How to see the ancient city among skyscrapers and cars? Where is the utopia house located? Who comes up with city tours and who goes on them? How to get the right route and make a person listen carefully? Larisa Skrypnik, a leading guide of the City Excursion Bureau of the Museum of Moscow, spoke to mos.ru about the pros and cons of working as a guide, about the mysteries of Moscow and the best excursionists.

- It seems that everything has already been told about Moscow, all the city's labyrinths and nooks have been passed, and suddenly a new route appears, a new excursion - how is this possible?

- The Museum of Moscow, where I work, is celebrating its 120th anniversary this year. And all these years the museum staff have been studying the city, its history, following all the changes that take place in the metropolis. There are thousands of documents, books, photographs in our collection that are still being researched. This alone gives many reasons for a new look even at the most trivial excursions.

There is, of course, a mandatory block of excursions. As a rule, this is a sightseeing tour of Moscow, Red Square, the historical center, which are intended specifically for the first acquaintance with the city - for those who want to learn about the city in which they live. There are many of them - as experience shows, Muscovites often know the city poorly. It seems to a person: I am here, I will have time for everything - and he passes by interesting places, not paying attention to them. But when interest is shown, the person, as a rule, becomes our regular customer. That is, the one who came once begins to walk constantly. It is very joyful to see how the popularity of walking and bus excursions increases from year to year: more and more citizens want to know the maximum about the capital.

But there is another block of routes - those that we come up with on our own. These are always unusual walks in which we show the city from a new perspective. They can be thematic, timed to specific dates, events. So, we constantly have new routes around the unknown Moscow. We really want to show our beloved city from different sides; I would like the participants of the walks to fall in love with Moscow as much as we do. And such excursions, as a rule, are in great demand.

- Can you tell us more about such routes?

- There was an interesting story during the celebration of the anniversary of Nikolai Vasilyevich Gogol. We were asked to come up with a walking tour of Gogol's places. Moreover, they asked to show not only the monuments to the writer, which are located at a distance of 400 meters from each other, not only the temple of Simeon the Stylite, of which Gogol was a parishioner, but something else unusual. In a sense, this is a challenge, I love such things very much. I had to do a walking tour and tell a lot about Gogol. As a result, with great interest for myself, I discovered more than 20 places associated with Nikolai Vasilyevich, on the Arbat. Not in Moscow as a whole, but only on the Arbat. Exclusive excursions are born, for example, from such an offer - to help someone with a topic.

Or, for example, an excursion dedicated to 1612 in Moscow. She was not particularly in demand, no one ever asked to drive to these places. But when the request did appear, it turned out that it was indeed a very interesting excursion. Of course, excursions are also born because you yourself really like something. I love architecture and of course I came up with a walking tour of Art Nouveau. Routes may appear after you've read an interesting book. Nowadays there are a lot of memoirs, all kinds of works by pre-revolutionary Moscow scholars, which we did not know before. You read - and suddenly you see the area completely different, not the way you imagined it, and you have an idea to make an excursion around this place and show Moscow from some, perhaps, unexpected side.

- How does it happen? How is the excursion prepared?

- First, the search for material begins: reading special literature, diaries, going to libraries and, of course, studying the area itself, which you are going to talk about. Sometimes, when you walk the streets, walk into alleys, into courtyards, you discover absolutely incredible treasures that people have not seen. For example, Nikitsky Boulevard is such a front street. But once, when I was preparing an excursion there, I saw a metal gate with a door, behind which it was written that there was a repair of shoes or some kind of hardware. In general, a completely unpresentable door. But when I entered this gateway, I realized that it was a whole city with labyrinths. Who would have thought that this could be? People are always very interested in this. As if you are immersed in the past, and you can imagine how you would feel if you lived in this house and your windows looked out onto this courtyard….

- You said that you have developed a guided tour of Art Nouveau, but this is not quite a Moscow style, what are you showing?

- Since this is a walking tour, it passes between Ostozhenka, Prechistenka and in the lanes. This is Isakov's tenement house, Kekushevsky, and the own house of the architect Kekushev. This is also the apartment house of the peasant Loskov. We had such wonderful peasants who could invite the best architects and build houses in the Northern Art Nouveau style. There are really not many of them in Moscow, basically this style is widespread in St. Petersburg.

- It seems to me that the most difficult thing in your work is to make people listen, not all guides and not always succeed.

- You just need to know and understand: people cannot endlessly listen to a set of some facts, even if they are interesting enough, they still need some kind of relaxation. But it is important not just to giggle about something, but that it is tied to the topic. And by the way, on excursions sometimes the participants themselves help to find such relaxing moments. Once, on a tour of the Arbat and Arbat lanes, I had a wonderful girl of about seven years old. On the Arbat, every building has a history, and I want to tell you about everything. I started talking about the house with the knights opposite Tetr Vakhtangov and said that, unfortunately, not all of the knights survived, and this girl tells me: "But I can tell where this knight has gone." I ask: where? She says: “The fact is that he fell in love with this princess - and the Vakhtangov Theater has the Princess Turandot fountain, - he fell in love, went downstairs, bought her jewelry, but she did not accept the gift. Therefore, the knight was upset and left. " This is lovely! Now I always tell this, such a vivid perception by a child of Moscow with its history.

- How long does it take to prepare an excursion?

- It depends on the topic. There are those for which a huge amount of literature has been written, and here you just need to select what you are interested in. There are topics that require serious preparation, maybe even inquiries, meetings with some people who have information on a particular area. The residents themselves tell interesting things. It is always a lot of work.

The selection of material is one of the most exciting moments, and here it is important to control yourself. You search, read, and it is so fascinating that by three o'clock in the morning you can be somewhere in general on the other side of Moscow. Because when you prepare material, one fact clings to another: but the last name slipped through, but not to clarify ... It is very difficult, but even more difficult to choose something when you have collected a huge amount of material and understand that it is impossible to tell everything , - it is always a pity to remove some of the information.

Then comes another very important point: you have to link all the objects ... It is clear, if the tour is thematic, for example, our "Moscow Ambassadorial", then everything is more or less clear. And if this is an excursion along the street and there are absolutely dissimilar buildings, completely different stories, but you have to connect them in some way to each other, you have to get a story.

I had a wonderful excursion, I led her along Volkhonka, and one of the excursionists, as an intelligent person, warned me in advance that she needed to pick up the child from kindergarten, so she would leave in 50 minutes quietly in English. And I am leading the tour and I understand that 50 minutes have passed, an hour has passed, and the woman is still with us. And I say to her: "Excuse me, please, but it seems to you that the child should be taken from the kindergarten." She says: “You understand, I just can't leave. You finish telling and you are so engaging with the next that we will now see further that I cannot leave in any way. " That was the right excursion, since it happened so.

There are also purely technical moments, special ones, which also need to be taken into account: how to stand up correctly so that everyone can hear you, so that you can react to the expression on your face, eyes, so that you can see the tourists and at the same time do not interfere with them seeing objects; how to stand up to show the object as much as possible; how to stand up so that you can talk about several objects without leaving your seat. When preparing a tour, it takes extra time. For example, I walk down the street and begin, to the surprise of passers-by, to run from one place to another, cross the street, come back, in order to understand where it is better for me to put the group. And here you need to show your imagination.

There are many other nuances. For example, you need to take into account the location of pedestrian crossings: where they are, is it convenient for you to cross from this side to the opposite, so that later you do not return to this crossing through another crossing, somehow go further along the route, because people are not interested in the same place to walk back and forth. In general, this is a very big job in fact.

- Let's try to name the pluses and minuses of your profession.

- I was asked this question on excursions ... But it turns out that the minuses turn into pluses. Of course, this is a job that requires a lot of physical exertion, because you need to move a lot both in the preparation process and during the excursion. And they sometimes last two or three hours, and sometimes six or seven.

The weather that we do not choose, and our Moscow weather does not please, let's say, most of the year. Further - that you always work, because you have to be in the subject of modern Moscow, to know everything new that appears, new books about Moscow, new information, new objects. There is so much material that you can never master it completely, but you always strive for it. As a result, you constantly train your memory, your mind, you are always on the move and constantly in the fresh air.

And also people are different, and you make a lot of effort in order to keep your attention. When this happens, I feel a tremendous moral upsurge, because I give my energy to people, and they in return - theirs. After the excursion, I always feel emotionally charged. Everything is interconnected here, and if you like it, then you enjoy it more.

Introduction ………………………………………………… ..3

1. Subject and ides of excursion methods.

1.1 Subject and types of excursion methods ... ... 5

1.2. Methodology for preparing excursions ……………… ... 8

2. Classification of methodological techniques.

2.1 Classification of methodological techniques ………… .14

2.2 Methodological techniques of displaying ……………….… ... 17

2.3 Methodological techniques of the story ………………… .25

3. Special methodological techniques.

3.1. Reception of demonstration of visual aids ..................... 35

3.2 Assimilation of methodological techniques by a guide ………………………………………………… ..39

4. Technique of guiding excursions.

4.1 Technique of guiding excursions ……………………… 42

Conclusion ………………………………………………… ..51

Bibliography …………… .. ……………….… 52

Introduction.

A technique in the broadest sense of the word is a set of methods for expediently carrying out a particular work, solving a problem, achieving a goal, and in a narrower sense, it is a set of specific methodological techniques for conducting lectures, conversations, excursions on a specific topic and for a specific group.

The technique is divided into general and specific.

An excursion is a methodically thought-out show of sights, monuments of history and culture, a show based on an analysis of the objects in front of the sightseers, as well as the events associated with them.

The guide is not indifferent to what the excursionist sees, how he will understand and perceive what he has seen and heard.

The guide, with his explanations, brings the tourists to the necessary conclusions, the effectiveness of the excursion depends on this.

It follows from this that the essence of the excursion can be defined as follows: a visual process of cognition of the surrounding world, a process built on pre-selected objects located in natural conditions or located in the halls of museums, exhibitions, workshops of a sculptor, artist, etc.

The excursion technique is a private technique, since it is associated with the process of disseminating knowledge based on one form of work. The excursion methodology is a set of requirements and rules for excursions, as well as the sum of methodological techniques for preparing and conducting excursions of different types, on various topics and for different groups of people.

The method of excursion work answers the following questions:

1. Why was the excursion prepared and conducted (purpose, objectives)?

2. What issues are covered during the excursion (what is its content)?

3. How to conduct an excursion (methodological techniques)?

The excursion methodology consists of several independent, interconnected parts:

Methods for developing a topic that is new for this bureau;

Methods for the development of a new topic for a guide, but already developed in this bureau;

Methods of preparing a guide for the next excursion;

Excursion methods;

Techniques after excursion work.

1. Subject and types of excursion techniques.

1.1 Subject and types of excursion techniques.

The method of conducting an excursion is a combination of techniques used in conducting an excursion, which are designed to find a way more usual and, together with the fact that, as everyone knows, effective achievement of the purpose of the excursion, to help the excursionists to finally learn the content of the excursion easier and more firmly.

Methodological techniques for conducting an excursion are divided into general, personal and individual ones. Imagine one fact that general techniques are, as usual, the basis for conducting, as everyone knows, any excursion, regardless of its topic, the composition of the excursion group. I must say that personal, in the end, are those methods that are used in excursions, as most of us are used to saying, of a certain type (industrial, museum, natural history, transport, walking), or in excursions conducted for a certain, as people used to express themselves, excursion audience (kids, youth, adults). It's no secret that personal techniques, focusing on the main requirements of excursion techniques, develop and concretize more effective techniques for conducting excursions of this type. Everyone knows that in the end, single techniques are, as we constantly say, unique methods of observing some, as many say, one object or a story about it, for example, showing a building on the shore of a reservoir, which, on a fine summer day, is finally reflected on its surface. And it is not even necessary to say that such techniques are usually the intellectual property of the 1st guide and are not finally used by everyone who, therefore, conducts such excursions. Indeed, one-off methods also include those whose implementation is limited, as we put it, to a certain time of the year or day.

The excursion methodology is considered in several aspects: as the basis of the professional skills of the guides; as a mechanism that improves the "presentation" of the material; as a process of streamlining the activities of the guide. The technique helps tourists see, remember and understand much more than in a lecture that covers the same topic. This is because the lecturer's methodology is largely based on various kinds of messages and descriptions, the lecture story is conducted in isolation from the objects of description. The excursion methodology consists of several independent, interconnected parts: - methodology for developing a topic that is new for this bureau; - methods for the development of a new topic for a guide, but already developed in this bureau; - methods for preparing a guide for the next excursion; - methods of conducting an excursion; - methods of post-excursion work.

Aspects of the excursion methodology: the basis of the professional skill of the guide, the mechanism for submitting the material, the process of streamlining the activities of the guide during the preparation and conduct of the excursion.

The excursion technique is associated with concepts such as storytelling and showing. To the question about the ratio of the show and the story in the excursion, the methodology gives an unambiguous answer: from the show to the story. One should start with a show, with visual or other (tactile, olfactory) impressions, and then introduce the story. The technique takes into account the object's ability to attract attention, uses various means to enhance the attention of tourists.

Another task of the methodology is to suggest the most effective use of methodological techniques for conducting an excursion. The excursion methodology takes into account the issues of emotional impact on tourists.

The subject of the excursion methodology is the purposeful study, systematization, formulation, explanation and application in practice of the means and methods of education and training, as well as methodological techniques with the help of which employees of excursion institutions carry out their activities. The excursion methodology summarizes the experience of conducting excursions, develops and proposes such methodological techniques that have justified themselves in practice and ensure the highest efficiency of disclosure and perception of the topic.

1.2 Methodology for preparing excursions.

The development of the excursion is carried out by a creative group, consisting of 3-10 people, depending on the complexity of the topic. Each of the participants is working on one of the sections or one of subtopics excursions. The head of the creative group combines and edits the prepared material.

The preparation is divided into two stages:

Preliminary - the selection and study of factual materials (i.e. the process of the initial accumulation of knowledge on a given topic), carried out by a creative group, the choice of objects on which the excursion will be built;

Immediate - drawing up an excursion route, processing factual material.

In addition, work is underway on the structure of the methodological development: introduction, main part, conclusion; a control text is drawn up, the methodological guidance of the excursion is analyzed (determination of the most appropriate methodological methods of showing and telling specifically for one or another part of the excursion), a "guide's portfolio" is formed, an individual text is prepared. A methodological development is a concise plan, a document that determines how to conduct a given excursion, in what sequence to organize the display of monuments, what methodology is advisable to use for an effective excursion. Here the guide must find advice on the sequence in which to show and tell the story, what materials are from the “guide's portfolio” and when it is better to demonstrate. A methodological development is compiled for each topic of the excursion.

Methodological development is an obligatory document, without which an excursion on this topic cannot be conducted.

An obligatory document is also an individual text, which gives the guide the right to conduct an excursion on this topic. A correctly drawn up methodological development helps the guide to reveal the topic more fully.