Denver airport: the most mystical structure in the world
Anyone who has ever visited the Denver, Colorado Airport will surely remember the shock and surprise that they visited upon arrival. This place, the airport, is a kind of collection of conjectures, suspicions, theories and unanswered questions. In every room, in every corner, you are literally permeated with a feeling of uneasiness, and the gloomy symbolism inherent in everything located on the territory of the airport only aggravates the situation. Some facts: Denver International Airport was built and opened in the last century, in 1995.
The airport project itself aroused suspicion even then and raised the question - why would Denver need another airport, if the city residents already have a fully functioning large airport Stapleton at their disposal. To which its creators answered only with innuendo. As rare arguments in favor of construction, such statements were made as: - the city needs a convenient and modern airport, an airport with a higher capacity, an airport equipped with the latest technology and meeting all norms and standards.
However, the newly-made modern airport of the city of Denver, if anything, surpassed the existing one, it was in the fabulous amount spent on its construction - 4 billion dollars, and in the area occupied by it. By the way, this territory was twice and exceeds the territory of modern Manhattan. Perhaps the reason for the allocation of such a huge amount from the budget and for such a huge territory occupied by the airport was the need to build runways in the form of a Nazi swastika (this is not a joke, you can see for yourself by visiting the Google map resource and spending a couple of minutes searching ). However, even taking into account the territory occupied by runways of a strange shape, there is still a lot of free and unused space at the airport.
Denver Airport is full of secrets. Here's another thing, our modern and more equipped airport has fewer runways and runways than Stapleton, fewer locks (111 at Stapleton and 84 at Denver International Airport), and its location simply does not match the word practicality and convenience. as much as 25 miles from Denver. Denver International Airport is the only airport in the United States built in the past 25 years. The airport covers an area of 33,457 acres (which is more than 2 times the area of Manhattan), which is many times larger than any other airport in the United States.
The cost of construction and design of the airport, as already mentioned, equal to almost 5 billion dollars (4.8 billion dollars) makes it one of the most expensive public facilities in the history of the United States. The main part of the airport roof with an area of 60,000 m2 is occupied by a special woven fabric made of fiberglass, covered with Teflon on top. This decoration, in its quirkiness and form, is more similar to dome structures, is suitable only for some Hollywood blockbuster like "Dune" or any other space opera, well, certainly not for an international airport that meets world standards. The airport is equipped with fiber-optic communication in accordance with all the latest hi-techs norms and standards, with a total duration of over 5 thousand miles. This distance corresponds to the length of the Nile River, or say the distance from Buenos Aires to New York. No other airport in the USA, Europe, Asia or anywhere else is capable of operating with such figures, moreover, no other airport in the world simply can boast of similar achievements.
Despite the fact that the valley on which the complex is located is very flat and practically ideal from an architectural point of view, a considerable part of the time allotted for the construction was spent lowering the ground level in one area and raising it in another. About 110 million cubic yards of earth were deformed by workers (this is a third of the amount of soil deformed during the construction of the Panama Canal). This amount of excavation is truly surprising. I would also like to note that for the construction of all parts of the airport, contractors used various groups of builders, moreover, the employers more than once replaced the contractors themselves during the project, and this despite the fact that all work was carried out according to the schedule and without violations. According to information provided by workers, fuel systems have been erected at the airport, capable of pumping about 1,000 gallons of jet fuel through a network of pipelines over 25 miles long. 6 huge fuel storage facilities were also erected, each of which can hold about 2.5 million tons of fuel. This is an incredible amount for an airport of this size. During the construction of the airport, more than 2 billion dollars were spent only for the purchase of granite, for its construction. Think about this amount (the construction of an average international airport costs half the amount). Granite itself was purchased in various parts of the world - it was supplied from Africa, Asia, Europe and, of course, from the USA.
The pale horse of the Apocalypse.
What the?! The first thought that comes to mind at the sight of this frightening and terrible, at least for an international airport "work of art". This is how most people react to the sculpture of the Pale Horse of the Apocalypse, the fourth horseman, which is mentioned in the Book of Revelation in the Bible, a horseman named death.
And I saw a pale horse, and a rider on it, whose name was "death"; and hell followed him; and power was given to him over a quarter of the earth - he killed with the sword and hunger, and with pestilence and wild beasts - Revelation 6: 7-8.
In other words, the rider, or rather the horse (it is the horse that is depicted on the sculpture), entails countless murders of people with the help of diseases, hunger and weapons. After the emotions subside and the mind again becomes subject to you, the unusual location of the sculpture catches your eye, over time, after you visit most of the airport, you realize that this was not done in vain and not by chance. The sculpture, the Pale Horse of the Apocalypse, was discovered only at the end of the first decade of the new millennium, namely in 2008. The author of this sculpture was an American sculptor of Mexican origin, known for his other equally controversial works, Luis Jimenez. The work on the sculpture took as long as 15 years from 1993 to 2008.
It is worth saying that Jimenez is not the only author of the work, his sons also took part in the work. The fact is that in 2006, already at the final stage of work, Jimenez died, he was crushed by a part of the future masterpiece, the body of a horse. Just a couple of years ago, ordinary Americans could not even imagine that a terrifying and frightening pale horse of the apocalypse would be located practically in the center of their country. This simply would not occur to a normal person. Even today, most ordinary Americans do not want to know about this or think about why a devil-looking sculpture of a horseman of the apocalypse was installed on the territory of one of the largest airports, a statue of a horse with swollen, bulging veins and terrifying, frightening glowing blood-red color in night with eyes.
There is, of course, a more logical explanation for all this, the explanation of which is adhered to by most of those who do not want to know the truth. They say that this horse is a symbol of the local football team "Denver Broncos". However, even a naked glance will be enough to understand that the symbol of the football team and this hellish rider have nothing in common, the difference is obvious and striking. Even more curious are the attempts of some enthusiasts to expose the location of this sculpture, and its very existence, as an accident. According to their thinking, one thing was indicated in the project, but in reality something completely different turned out, well, do not throw away such a magnificent work of art. On closer examination and in the presence of at least a small part of one's own thinking, it becomes obvious that this horse, rider is one element of a strange and frightening entourage, an entourage somewhere occult, somewhere Masonic, enveloping the Denver airport entirely and completely.
Denver airport sculptures, murals, memorials.
In fact, the murals at Denver Airport are perhaps the most memorable features. There are 4 of them (frescoes) and they are located on four walls, respectively. Their author was the Mexican muralist Leo Tanguma, who is a descendant of the once great Maya Indians (The ratio of Mexican artists involved in the project is a little surprising, but this is not the point now). It would seem that another coincidence ... no matter how it is. All kinds of symbols, signs and terrifying frescoes depicting the hour of death for more than half of humanity taught us not to believe in coincidences, but to listen to our reason and logic, which unanimously declare that the painting with the signature “In peace and harmony with nature, after the genocide ”Has taken its place in the Denver airport complex for a reason.
The unusual, inexplicable symbols and signs on the floor, walls and ceiling of the complex are confusing for both airport visitors and employees. For example, in one of the most striking places in the central hall of the airport, which, by the way, is named after the image of Masonic lodges - the Great Hall, you can find something that looks like a control panel for a fantastic starship from the future, something that is actually a very memorial plaque. and a very unusual form and content.
Even more alarming is the inscription on the board, the inscription signed by some hitherto unknown commission.
As I already said, such inscriptions and symbols can be found not only on memorial plaques, but also on the floor. The next exhibit attracts particular attention - a plate on which the symbols AU and AG are displayed, symbols that are abbreviations for gold and silver, respectively.
Perhaps this is just a coincidence, because one of the co-founders of the construction of the airport is the Nobel laureate in the field of medical sciences Baruch Samuel Bloomberg, whose peak of his career was the discovery of a deadly disease unknown to science called AU AG. It would seem that it is so. However, our practically formed calmness is immediately disturbed by the fresco located opposite - the fresco under the catchy name “Genocide”.
The entire floor is literally littered with inserts depicting unknown artifacts, extinct or endangered animals, and words in a dead language for many of the native inhabitants of America. Anxiety returns again and then another blow is struck at us - a few meters from the already described memorial plaque, another fresco with a guillotine depicted on it is discovered.
Another example of art is the "Peace and Harmony" fresco. In the foreground of the fresco are three dead women, women lying in their coffins - a native of the American continent, an African American and a white-faced girl holding a Bible in her hands, as a symbol of all fallen at the hands of religion and religious skirmishes.
The next, no less memorable image is a little black-haired girl holding a stone tablet in her arms. One of the airport visitors noticed that the image of the plate also resembles a map of Russia, perhaps I agree with that. Another important part of this fresco is a dark-skinned man, above whose head is a halo - a symbol of the divine origin of its owner.
The third mural at Denver Airport is a mural depicting universal peace. It depicts representatives of all the peoples of the world voluntarily giving up their weapons to melt "swords into an eagle" to a fair-haired boy in a gray vest. At the bottom of the painting is the dead figure of a military man wearing a gas mask. What is striking is something completely different, this is a strange kind of weapons given for remelting. Could it be that these agricultural implements are being donated to melt a new sword? But all the oddities do not end there either, because to the right of this fresco there is another frightening fresco "Genocide" I have already mentioned. By the way, both frescoes (Genocide and Melting of the Eagle) are connected by a rainbow line running from the corner of one fresco to the corner of the other. It is worth noting that both canvases (Eagle and Genocide) can be read both from left to right and from right to left.
This fresco depicts a huge figure of a military man wearing a gas mask (is it possible that this is the same military man that was depicted in the fresco with an eagle?). The soldier holds a machine gun and a sword in his hands. With a sword, he strikes a dove, a bird from time immemorial personifying peace, tranquility and happiness. The mysteries of the Airport shouldn't surprise you. You should not be surprised at the waves emanating from the figure of a soldier, since they are a kind of embodiment of some kind of biological or chemical weapon capable of destroying all living things. An important detail - the picture also shows a group of women carrying their dead children in their arms.
This is another representative of high art based on the territory of the airport in Denver. This fresco depicts the happy future of humanity after a catastrophe. Do you know what it looks like - a happy or, if you want, a transforming happy family of intimidated, zombified people, headed by a certain ruler of a cult or future religion, which is directly hinted at by a halo over the man's head and an unusual plant located in front of him.
Another fresco from the category of the inexplicable, unidentified, the next frightening symbols and hints. This painting depicts the blades of the guillotine, and under them is a butterfly, and not just a butterfly, but a butterfly that is a symbol of mass executions, lawlessness and death during the revolution in France - the Monarch butterfly. For educational and not only purposes, I will say that the first person executed on the guillotine was precisely the French monarch - King Louis XIV. An interesting fact, but the name Monarch also has a mind control program developed by the US intelligence services. Information about this program has been publicly available for many years. So, according to this information, the program was developed in the post-war years (the first decade after the end of the Second World War), and the main data and research were borrowed from German scientists who practiced and tested it on living people. By the way, German prisoners who escaped punishment at the Nuremberg Tribunal took part in the work on this project. Tanguma (the artist I mentioned earlier) was responsible for the creation of this fresco. A series of frescoes that came out from under his workshop was named “Peace, Harmony and Nature”. Yes, a suitable name, you will not say anything.
There is in the airport of Denver and such a "cute" - monsters in the luggage compartment, as they are also called. These monsters, namely gargoyles, are the owners of an eagle's beak and wings covered with leather. In the mouth of one of them you can see a flap, perhaps someone's tie or a piece of shirt ?! Next to one of the sculptures there is a plaque engraved with the inscription Notre Denver. On the handle of the suitcase you can see the inscription of the well-known manufacturer of these suitcases “Samsonite”. The most vivid theories suggest that a certain meaning or an encrypted code is hidden in this name.
http://mayax.ru/category/neobyasnimoe/mezhdunarodnii-aeroport-denvera.html
Anyone who gets to the airport in Denver, Colorado is likely to be shocked by what they see. This place is the subject of many suspicions and questions that have not yet been answered. All structures are literally permeated with a gloomy and inexplicable symbolism that catches everyone's eye.
So what's so mysterious about this airport?
The airport terminal is covered with tents, which, at first glance, symbolize the Rocky Mountains. But this is only at first glance.
There is a version that where the airport is now, there used to be an Indian cemetery. And the Indians were very much against building anything. It was possible to agree with them by adding to the project these very tents, which in fact symbolize Indian wigwams.
The international airport in Denver opened in 1995, despite the fact that there was already a large Stapleton airport. Its creators convinced the public of the need to build a new airport, making such arguments that the city needed a new airport that would be able to handle more passenger traffic, would be technically more advanced and more convenient for passengers.
However, the newly built airport, if it surpasses the old one, is its colossal cost of $ 4 billion in 1994 prices and a huge area (twice the size of Manhattan). The new airport has fewer runways than Stapleton, fewer gateways 111 versus 84, and is located far from the city (25 miles), which raises some questions as to whether the construction of the new Denver Airport was intended to hide something else?
The airport is equipped with fiber-optic communication with a total length of 5300 miles. This is longer than the Nile and is roughly equal to the straight-line distance from New York to Buenos Aires! The airport also has a communications network of 11,365 miles of copper cable. No other airport in the United States and most likely in the rest of the world, even busier than DIA, has anything similar. The fuel system is capable of pumping 1,000 gallons of jet fuel per minute through a 28-mile pipeline. There are also 6 huge fuel tanks, each containing 2.73 million gallons of jet fuel. This is completely absurd for an ordinary commercial airport. I would like to know why they need all this?
Despite the fact that Denver is one of the flattest cities in the United States, during the construction of the airport, an amount of land was removed equal to a third of that removed during the construction of the Panama Canal. Which leads some to believe that there are huge unused spaces under the airport. In addition, from somewhere there is information that at first some strange five buildings were built, which were then recognized as built erroneously and instead of being demolished they were covered with earth. For the construction of each part of the complex, individual contractors were hired, with all of them having to terminate the contract, immediately after they had done their job. Many skeptics claim that this was done in order to hide the second and main purpose of the project.
To this is added the gigantic area occupied by the airport, and from all this it is concluded that under the Denver airport there is something like a secret military base, or a gigantic refuge. Rumor has it that the powers that be, in particular the British royal family, are buying real estate near the airport incognito. There is, of course, no documentary evidence of this. There is reason to believe that the underground bases NORAD (North American Aerospace Defense Command) and CMOC (Cheyenne Mountain Operations Center) on Cheyenne Mountain in Colorado, 120 miles from the airport, are connected to it by an underground tunnel. Denver was probably chosen because of its central location and the fact that it is connected by hundreds of miles of underground tunnels that likely lead to a giant underground city for the elite and government officials.
Pale Horse of the Apocalypse
What is this pale horse of the Apocalypse, whose name is death or the Trojan horse of the new world order?
This horse's eyes shine day and night.
The sculpture was commissioned by the famous Mexican American sculptor Luis Jimenez in 1993, two years before the airport opened. He continued to work on this colossal statue until 2006, when he was killed ... the torso of his devil horse that fell on him. As a result, the work on the statue was completed by his sons.
The very fact of the existence of such a strange work of art could simply be noted as a curiosity, but upon closer examination it turns out that this horse of the Apocalypse is just one of the elements of the strange and frightening occult Masonic surroundings that literally permeate the giant complex of buildings at Denver airport.
It is possible that in addition to the main goal, this complex carries another, hidden goal, no less important, and perhaps more important than the main one. This is clearly indicated by the sculpture of the devil's horse, as local residents and eyewitnesses call it.
However, the most interesting thing about this in all is the shocking murals, mysterious signs and inscriptions in known and unknown languages, on the walls, floors, as well as strange artifacts located inside and outside. Take a look at all this and decide for yourself, is there any need for them for the airport itself?
The prophetic symbolism of a dark cult, which tells us about the approach of a new world order (in which the entire population of the Earth will be united under the leadership of a single world government), literally permeates the entire complex.
Sinister murals
The murals on the walls of the Denver airport are the most notable feature of this airport, the main murals are located on 4 walls, by their author, the Mexican muralist Leo Tanguma (Leo Tanguma). Each of them is divided into two parts. The mural above depicts death and destruction. It depicts a city in smoke, a burning forest, and obviously this fresco tells us about the death of this world and about the intention to preserve some part of the living.
Officially, the general idea that these paintings convey is the struggle of humanity with all sorts of terrible troubles, like genocide. Conspiracy theorists see this as a prophecy about the embodiment of the idea of the "golden billion" through the genocide of the lion's share of the world's population. Like, these pictures are such a mockery of the rulers of the world over stupid people.
At the bottom of the first part of the picture, three dead girls in coffins are depicted, apparently symbolizing the three races. Black woman on the left, Indian woman in the center. To the right is a dead white girl holding a Bible.
This fresco also depicts an Indian girl holding a stone tablet resembling a piece of the Mayan calendar (some researchers note that this tablet resembles a map of Russia).
Also of interest are glass cages with animals, which can be interpreted as an attempt to save some of the wildlife from death as a result of a nuclear or biochemical war.
Another mural depicts the world of the world,
however, note that it depicts the peoples of the earth giving their weapons to a blond boy in a tie and gray waistcoat who is busy bending "swords into plowshares."
Below we see a lying dead figure in military uniform and a gas mask. However, the "plowshares" have a rather strange shape - so that we have a question, is not a new sword being forged under the guise of an agricultural tool from all this?
And these suspicions are not groundless - because to the right of this fresco there is another, the one about genocide. And these two pictures definitely form a single whole: they are united by a rainbow coming from one corner of the fresco to the other.
And this next fresco (genocide) depicts a huge figure of a military man in a gas mask, with a machine gun and a sword in his hands, apparently revived from the last fresco. With the sword, he kills the dove from the previous picture, which, as you know, symbolizes peace, hinting that the world will be destroyed. Some waves emanate from the figure, which symbolize poisonous gas or biological weapons that will destroy everyone who meets on its way. We can also see an endless line of women receding beyond the horizon, carrying their dead children. And a group of orphans sleeping on bricks. This fresco predicts the destruction of millions of people.
And the last fresco depicts a happy humanity after a catastrophe, apparently the very ones who will be allowed to live.
However, even without taking all this into account, just looking at this picture, it seems that something is definitely wrong with the people depicted on it. They are very similar to the "happy" people zombified under the program of mental control, as if they had stepped out of the illustrations of brochures with which Jehovah's Witnesses are worn.
In peace and harmony with nature ... after the genocide.
For the creation of these murals, Leo Tanguma allegedly received $ 100,000 and officially represent "peace, harmony and nature."
Terminal granite floor
Inexplicable signs and symbols on the floor and walls of the structure confuse visitors. For example, in the most prominent place in the main hall of the airport, which, by the way, like the meeting rooms in Masonic lodges, is called the Great Hall, there is something that, upon closer examination, turns out to be a memorial plaque, however, it is also very strange. This is the last stone of the time capsule terminal, laid by the Freemasons. The capsule should be opened in 2094.
At the bottom of the stone, a mysterious organization called the New World Airport Commission is mentioned - the Commission for the construction of the airport of the new world.
Top of the plaque. What is it? Alien language?
The granite floor of the airport is also permeated with strange symbolism, many strange symbols: one of them especially attracts attention: a sign on which the letters AU AG are written, some believe that these letters simply mean gold and silver.
Maybe, but - one of the sponsors of the new airport is the Nobel laureate in medicine Baruch Samuel Blumberg, who discovered a new deadly disease called the Australian Antigen AU AG. Coincidence? But it is also a coincidence that this plaque is located on the floor directly opposite the fresco on the wall, which is called "Genocide".
The $ 2 billion (!) Granite that was used in the flooring was imported from all parts of the world: Asia, Africa, Europe, North and South America: it is used to make the floor of the main terminal. Paul for two billion ?! The creators of the airport say that "... the floor pattern echoes the design of the roof and subtly supports the flow of passengers" flowing on the granite floor. " Yes, yes, those same subliminal messages, and strange writing on the floor ... However, one must think that the floor would look no worse if they brought material for it from somewhere closer. Many of us will be able to tell the difference between Chilean granite and Chinese granite? And how many people even think about what the floor is made of: after all, all they need is to walk on it and not be late for their flight.
The floor contains brass inserts depicting obscure artifacts of extinct animals found in the surrounding area, as well as words in American Indian languages that have a mystical meaning.
But you will not find any information board that will explain to you the contents of these inserts (as well as all the other oddities at the airport), which makes everyone just cheerfully step over all this, with the words: wow, why is all this here, is it really all for us ?
Gargoyle in the luggage compartment
Next to one of the chimeras is a memorial plaque that says Notre Denver. The name of a well-known company is written on the handle of the suitcase - “Samsonite”, in the same suitcase the “red button” is stored.
All the symbols and murals at Denver Airport symbolize a new world in which a small number of people will live in "harmony" with nature under the strict control of world government, which is the goal of a new world order, the symbolism of which is represented throughout the Denver airport. The symbolism of the airport can be discussed indefinitely, the only thing that cannot be doubted is the fact that this structure is literally permeated with riddles and mysticism, as well as the fact that under the airport building itself there is most likely a mysterious object.
Anyone who enters the Denver, Colorado Airport is likely to be shocked by what they see. This place is the subject of many suspicions and questions that have not yet been answered. All structures are literally permeated with a gloomy and inexplicable symbolism that catches everyone's eye.
The international airport in Denver opened in 1995, despite the fact that there was already a large Stapleton airport. Its creators convinced the public of the need to build a new airport, making such arguments that the city needed a new airport that would be able to handle more passenger traffic, would be technically more advanced and more convenient for passengers.
However, the newly built airport, if it surpasses the old one, is its colossal cost of $ 4 billion in 1994 prices and a huge area (twice the size of Manhattan). Perhaps it was needed to place its runways in the form of a Nazi swastika (yes, yes, if you look at the complex using google maps, you can easily see for yourself), however, even with such a completely unique location of its runways lanes, at the disposal of DIA (Denver International Airport) there is still a huge territory.
As for everything else, the new airport has fewer runways than Stapleton, fewer gateways 111 versus 84, and is located far from the city (25 miles), which raises some questions as to whether the construction of the new Denver Airport was intended hide something else.
Transcript of the "Conspiracy Theory" show with Jesse Ventura:
Jesse Ventura meets underground bunker builder Brian Camden.
Jesse: K Which is the largest bunker in the USA you know?
Brian: Can't tell to the camera. But I can say that over the past 10 years, the US government has been actively building underground shelters.
Jesse: how big is the biggest bunker? I don't ask where he is.
Brian: The largest I know, about 100,000 m2. It was built by the government in the Midwest (this is Colorado ed.), It was built specifically for 2012, and is under government buildings.
Team member Jesse: But if you're building an underground shelter, it can't be hidden. After all, there will be a lot of all kinds of technology that cannot remain unnoticed.
Brian: Not if you are building under existing structures that are 4-5 square miles. If you are building a very large airport, it will be very easy to build a shelter underneath.
Team Member Jesse: Is that a hint?
Brian: Yes.
There is reason to believe that the underground bases NORAD (North American Aerospace Defense Command) and CMOC (Cheyenne Mountain Operations Center) on Cheyenne Mountain in Colorado, 120 miles from the airport, are connected to it by an underground tunnel.
Pale Horse of the Apocalypse
What is this pale horse of the Apocalypse or the Trojan horse of the New World Order?
What does it mean? The first thing that came to my mind when I saw this terrible (at least for the airport) work was this: The Pale Horse of the Apocalypse, the fourth horse in the Book of Revelation in the Bible, whose name is death.
And I looked, and, behold, a pale horse, and on him a rider, whose name was "death"; and hell followed him; and power was given to him over a fourth of the earth - to put to death with the sword and hunger, and with pestilence and the beasts of the earth.
In other words, the horse named "Death" entails the killing of people with weapons, hunger and disease. Pretty extreme for a family airport, isn't it? At first glance, it doesn't look like the horse has been properly placed. However, you will soon find that it goes well with everything else at the airport.
Fact: The sculpture, unveiled in 2008, was commissioned by the famous Mexican American sculptor Luis Jimenez in 1993, two years before the airport opened. He continued to work on this colossal statue until 2006, when he was killed ... by the body of his devil horse falling on him. As a result, the work on the statue was completed by his sons.
Twenty years ago, ordinary Americans could not even imagine that in the very center of the country, where the Great Plain meets the Rocky Mountains, the pale horse of death awaits them. Even today, the vast majority of Americans are reluctant to turn on their brains to ask the question: Why does a devil-looking horse, with bloated veins and red eyes glowing in the dark, greet everyone arriving at Denver International Airport? There is, of course, an explanation for vegetables - they say, this frightening horse symbolizes a wild horse, which is depicted on the logo of the local football team "Denver Broncos." However, even a cursory glance is enough to understand: these two images have nothing in common, but also the obvious fact that the creator of this sculpture was not at all positive energy.However, the very fact of the existence of such a strange work of art could simply be noted as a curiosity, but upon closer examination it turns out that the "horse of the Apocalypse" is only one of the elements of the strange and frightening occult Masonic surroundings, which literally permeate the gigantic complex of buildings in Denver airport.
It is possible that in addition to the main goal, the complex carries another, hidden goal, no less important, and maybe more important than the main one. This is clearly indicated by the sculpture of the devil's horse, as local residents and eyewitnesses call it.
Denver International Airport is the only major airport in the United States built in the past 25 years. Its area is 33,457 acres (twice the size of Manhattan), which is much larger than any other airport in the United States.
With a cost of 4.8 billion in 1994 prices (up from the original estimate of $ 2 billion), the airport is without doubt one of the most significant properties in the world.
The length of baggage conveyor lines and underground roads for baggage conveyors hidden in special tunnels is 19 miles (30 km). They are so large that trucks can easily pass through them, many of them still remain unused.
The 60,000 m2 roof made of woven fiberglass covered with Teflon would have served as a fancy backdrop for a movie like Dune, due to its many tent-like gabled structures.
The airport is equipped with fiber-optic communication with a total length of 5300 miles. This is longer than the Nile River and roughly equals the straight-line distance from New York to Buenos Aires, Argentina! The airport also has a communications network of 11,365 miles of copper cable. No other airport in the United States and most likely in the rest of the world, even busier than DIA, has anything similar.
Despite the fact that the valley where the complex is located is practically flat (with stunning views of the Rocky Mountains), considerable construction time was spent on significantly lowering some areas of the soil and raising others. They've moved 110 million cubic yards of soil! Incidentally, this is about a third of the amount of soil that was moved during the construction of the Panama Canal. I have never heard of such voluminous earthworks during the construction of any other airports. And you? Meanwhile, it is known that a huge underground complex is located under the airport.
The fuel system is capable of pumping 1,000 gallons of jet fuel per minute through a 28-mile pipeline. There are also 6 huge fuel tanks, each containing 2.73 million gallons of jet fuel. This is completely absurd for an ordinary commercial airport. I wonder why they need all this?
Granite, worth 2 billion (!) Dollars, which was used in the decoration, was imported from all parts of the world: Asia, Africa, Europe, North and South America, and is used to make the floor of the main terminal. Paul for two billion ?! The creators of the airport say that "... the floor pattern echoes the design of the roof and at a subtle level supports the flow of passengers" flowing on the granite floor. " Yes, yes, those same subliminal messages, and strange writing on the floor ... However, one must think that the floor would look no worse if they brought material for it from somewhere closer. How many of us can tell the difference between Chilean granite and Chinese granite? And how many people even think about what the floor is made of: after all, all they need is to walk on it and not be late for their flight. I wonder what people think about this, who believe that stones have power (I mean the belief system of a member of various secret communities)?
However, the most interesting thing about this in all is the shocking murals, mysterious signs and inscriptions in known and unknown languages, on the walls, floors, as well as strange artifacts located inside and outside. Take a look at all this and decide for yourself, is there any need for them for the airport itself?
A huge number of people are convinced that Denver International Airport (DIA) is built for the New World Order. They are convinced that the DIA will have to serve as the headquarters of a new world order, as well as an underground refuge for the elite, a military base and a giant death camp. This reality means that DMA can also serve as a center of mass extermination for the New World Order.
Memorial plaque in Denver
The prophetic symbolism of a dark cult, which tells us about the approach of the New World Order (in which the entire population of the earth will be united under the leadership of a single world government), literally permeates the entire complex. If you open the website of the GOOGLE search engine and type two words "denver airport" there, then the search engine will promptly offer you "denver airport conspiracy" in the first line, and after that everything else (schedule, map, hotels , weather). This is because since its inception, the Denver airport has given rise to many speculations, rumors, versions, most of which agree that the Denver airport is one of the symbols of the onset of the world order that will come after the world elite suits there is a massive genocide on the planet, as a result of which the world's population will be reduced to 500 million people.
Top of Denver Plaque
Inexplicable signs and symbols on the floor and walls of the structure confuse visitors. For example, in the most prominent place in the main hall of the airport, which, by the way, like the meeting rooms in Masonic lodges, is called the Great Hall, there is something that looks like a control panel for a futuristic starship of aliens from a distant planet, which upon closer examination turns out to be a memorial plaque, however, also very strange.
Even more surprising is the inscription on the board, signed by a certain commission of the New World Airport. Have you heard of such an organization before? No? Me too ... Because such an organization does not exist in nature. Then why is she featured on the plaque as the creator of the airport?
Caption: "New World Airport Construction Commission"
The airport's granite floor is also riddled with strange symbolism, many symbols. One of them caught our attention: a plate with the letters AU AG written on it. Some believe that these letters simply mean gold and silver. Maybe, but - one of the sponsors of the new airport is the Nobel laureate in medicine Baruch Samuel Blumberg, who discovered a new deadly disease called Australian Antigen (hepatitis B, C). You probably already guessed that it is also called AU AG.
What does it mean Austrailian Antigen or gold and silver?
Coincidence? Perhaps, however, we will have to come to terms with another coincidence: this tablet is located on the floor directly opposite the fresco on the wall, which is called "Genocide".
Fresco "Genocide"
Next to the plaque, in the floor, you can make out a headless Indian on what looks like rails ... What the hell does that mean? Is this connected with the symbolic image of the guillotine on the fresco, which we wrote about above? But you will not find any information board that will explain to you the content of these inserts (as well as all the other oddities at the airport), which makes us just cheerfully step over all this, with the words: wow, why is all this here, is it really all for us ?
Mt Blanca (connection to Mont Blanc?
White Mountain (Mt. Blanca) is one of the 4 sacred mountains of the Navajo tribe, may also overlap with Mont Blanc (Mt Blanc), France, the place where the Templars signed their charter. Their chronicle tells about this event in the following words: "They came together to form a New World Order, remembering the words with which God rewarded Solomon in a dream .."
The murals on the walls of the Denver airport are the most notable feature of this airport. The main frescoes are located on 4 walls, their author, the monumental artist of Mexican origin Leo Tanguma (Leo Tanguma), who is by blood a direct descendant of the Maya Indians (isn't there too many Mexican artists for one airport?). Anything special? Perhaps, if not for one interesting coincidence: one of these frescoes contains an unequivocal allusion to the Mayan calendar, which supposedly predicts the death of this world in December 2012.
In peace and harmony with nature ... after the genocide
In peace and harmony with nature
The mural above depicts death and destruction. It depicts a city in smoke, a burning forest, and obviously this fresco tells us about the death of this world. And about the intention to preserve some part of the living.
In the foreground of the mural, three dead women are depicted lying in coffins: an African-American woman, a native of America, and a white girl who holds a Bible in her hand, possibly symbolizing those who died from religious or other ideological contradictions. In the background, raging flames can be seen devouring forests and cities. If for someone this picture depicts peace and harmony, and not death and destruction, then, most likely, this person has some kind of problems with the perception of reality. Also of interest are glass cages with animals, which can be interpreted as an attempt to save some of the wildlife from death as a result of a nuclear or biochemical war.
Girl with Mayan sign
It is on this fresco that a small black-haired Indian girl is depicted holding a stone tablet resembling a piece of the Mayan calendar (by the way, some researchers notice that this tablet resembles a map of Russia, and it really is. Ed. Note).
It is also worth paying attention to the fact that the central figure of the fresco is a dark-skinned man with a halo around his head, reminiscent of the figure of a saint or deity.
Let's beat swords into plowshares
Another fresco depicts world peace, but note that it depicts the peoples of the earth giving their weapons to a blonde-haired German boy in a tie and gray vest, who is busy bending their "swords into plowshares."
Below we see a lying dead figure in military uniform and a gas mask.
However, the "plowshares" have a rather strange shape - so that we have a question, is not a new sword being forged under the guise of an agricultural tool from all this?
And these suspicions are not groundless - because to the right of this fresco there is another, the one about genocide. And these two pictures definitely form a single whole: they are united by a rainbow coming from one corner of the fresco to the other.
The cap of the monster from the painting "Genocide"
The fresco "Genocide" (illustration above) depicts a huge figure of a military man wearing a gas mask (dead in the last fresco) with a submachine gun and sword in hand, which has now apparently returned to life. With a sword, he kills the dove from the previous picture, which, as you know, symbolizes peace, hinting that the world will be destroyed, certain waves emanate from the figure, which symbolize poison gas or biological weapons that will destroy everyone who meets on his way. Recall that this is the fresco next to which there is an image on the floor, possibly symbolizing the Australian antigen (Au Ag). We can also see an endless line of women receding beyond the horizon, carrying their dead children. And a group of orphans sleeping on bricks. This fresco predicts the destruction of millions of people.It should be noted here that these two frescoes can be read from right to left, as a symbolic expression of the deliberate military conquest of the earth, so that there is a good reason to establish peace. Which also looks "good": after all, in order to establish peace, you first need a war, well, at least if you focus on what Hitler preached.However, this is not the end of the story.
Illuminati paradise after the genocide
The next fresco depicts a happy humanity after the disaster, apparently the very 500 million people who will be allowed to live. On it, we also see a strange figure, with a halo surrounded by seated children. It is also worth noting that the number of people in the group surrounding the "saint" is 12, which refers us to the Gospel story of the Last Supper, and also carries a possible allusion to the Jewish Messiah, who, according to the beliefs of this people, will be the supreme ruler of the world, combining in itself the material and magical power in the world.
Whether this is true or not, we cannot say, but it definitely adds gloomy overtones to the overall picture.
The symbolism of the airport can be discussed indefinitely, the only thing that is beyond doubt is the fact that this structure is literally permeated with riddles and mysticism, as well as the fact that there is a mysterious object under the airport building itself.Around the murals and other oddities of Denver Airport, there are a lot of rumors and interpretations of what its creators wanted to convey to people. But most of them agree that the New World Order plans to genocide 90% of the world's population. This is stated by Jesse Ventura in his third 2012 episode of Conspiracy Theory on TruTV, in which he introduced Denver Airport as an underground bunker and command post for the 2012 World Government West Sector.
“..They hired a group of workers from one company to work on one site, then they fired a contractor and hired another to work on another site, then they fired this one and hired a third, and so on. The workers reported many interesting things they saw, such as dungeons stretching eight stories deep. Then they were suddenly told .. oops, we didn’t even think to bury ourselves so deeply, and transferred them to another site, but the place that they “threw” looked quite ready.
Needless to say, there are a huge number of tunnels underground, and many other interesting things. For example, such that they can generate MUCH more electricity than they need.
Runways and buildings were erected and then covered with earth (one of the runways was covered with less than 6 inches of soil), and the reason for this was "not meeting specifications."
Denver was chosen because of its central location and the fact that it is connected by hundreds of miles of underground tunnels that likely lead to a giant underground city for the elite and government officials. "
Anyone who gets to the airport in Denver, Colorado is likely to be shocked by what they see. This place is the subject of many suspicions and questions that have not yet been answered. All structures are literally permeated with a gloomy and inexplicable symbolism that catches everyone's eye.
So what's so mysterious about this airport?
The airport terminal is covered with tents, which, at first glance, symbolize the Rocky Mountains. But this is only at first glance.
There is a version that where the airport is now, there used to be an Indian cemetery. And the Indians were very much against building anything. It was possible to agree with them by adding to the project these very tents, which in fact symbolize Indian wigwams.
The international airport in Denver opened in 1995, despite the fact that there was already a large Stapleton airport. Its creators convinced the public of the need to build a new airport, making such arguments that the city needed a new airport that would be able to handle more passenger traffic, would be technically more advanced and more convenient for passengers.
However, the newly built airport, if it surpasses the old one, is its colossal cost of $ 4 billion in 1994 prices and a huge area (twice the size of Manhattan). The new airport has fewer runways than Stapleton, fewer gateways 111 versus 84, and is located far from the city (25 miles), which raises some questions as to whether the construction of the new Denver Airport was intended to hide something else?
The airport is equipped with fiber-optic communication with a total length of 5300 miles. This is longer than the Nile and is roughly equal to the straight-line distance from New York to Buenos Aires! The airport also has a communications network of 11,365 miles of copper cable. No other airport in the United States and most likely in the rest of the world, even busier than DIA, has anything similar. The fuel system is capable of pumping 1,000 gallons of jet fuel per minute through a 28-mile pipeline. There are also 6 huge fuel tanks, each containing 2.73 million gallons of jet fuel. This is completely absurd for an ordinary commercial airport. I would like to know why they need all this?
Despite the fact that Denver is one of the flattest cities in the United States, during the construction of the airport, an amount of land was removed equal to a third of that removed during the construction of the Panama Canal. Which leads some to believe that there are huge unused spaces under the airport. In addition, from somewhere there is information that at first some strange five buildings were built, which were then recognized as built erroneously and instead of being demolished they were covered with earth. For the construction of each part of the complex, individual contractors were hired, with all of them having to terminate the contract, immediately after they had done their job. Many skeptics claim that this was done in order to hide the second and main purpose of the project.
To this is added the gigantic area that the airport occupies, and from all this it is concluded that under the Denver airport there is not a secret military base, not a gigantic refuge. Rumor has it that the powers that be, in particular the British royal family, are buying real estate near the airport incognito. There is, of course, no documentary evidence of this. There is reason to believe that the underground bases NORAD (North American Aerospace Defense Command) and CMOC (Cheyenne Mountain Operations Center) on Cheyenne Mountain in Colorado, 120 miles from the airport, are connected to it by an underground tunnel. Denver was probably chosen because of its central location and the fact that it is connected by hundreds of miles of underground tunnels that likely lead to a giant underground city for the elite and government officials.
Pale Horse of the Apocalypse
What is this pale horse of the Apocalypse, whose name is death or the Trojan horse of the New World Order?
This horse's eyes shine day and night
The sculpture was commissioned by the famous Mexican American sculptor Luis Jimenez in 1993, two years before the airport opened. He continued to work on this colossal statue until 2006, when he was killed ... the torso of his devil horse that fell on him. As a result, the work on the statue was completed by his sons.
The very fact of the existence of such a strange work of art could simply be noted as a curiosity, but upon closer examination it turns out that this horse of the Apocalypse is just one of the elements of the strange and frightening occult Masonic surroundings that literally permeate the giant complex of buildings at Denver airport.
It is possible that in addition to the main goal, this complex carries another, hidden goal, no less important, and perhaps more important than the main one. This is clearly indicated by the sculpture of the devil's horse, as local residents and eyewitnesses call it.
However, the most interesting thing about this in all is the shocking murals, mysterious signs and inscriptions in known and unknown languages, on the walls, floors, as well as strange artifacts located inside and outside. Take a look at all this and decide for yourself, is there any need for them for the airport itself?
The prophetic symbolism of a dark cult, which tells us about the approach of the New World Order (in which the entire population of the Earth will be united under the leadership of a single world government), literally permeates the entire complex.
Sinister murals
The murals on the walls of the Denver airport are the most notable feature of this airport, the main murals are located on 4 walls, by their author, the Mexican muralist Leo Tanguma (Leo Tanguma). Each of them is divided into two parts.
The mural above depicts death and destruction. It depicts a city in smoke, a burning forest, and obviously this fresco tells us about the death of this world and about the intention to preserve some part of the living. Officially, the general idea that these paintings convey is the struggle of humanity with all sorts of terrible troubles, like genocide. Conspiracy theorists see this as a prophecy about the embodiment of the idea of the "golden billion" through the genocide of the lion's share of the world's population. Like, these pictures are such a mockery of the rulers of the world over stupid people.
At the bottom of the first part of the picture, three dead girls in coffins are depicted, apparently symbolizing the three races. Black woman on the left, Indian woman in the center. To the right is a dead white girl holding a Bible.
This fresco also depicts an Indian girl holding a stone tablet resembling a piece of the Mayan calendar (some researchers note that this tablet resembles a map of Russia).
Also of interest are glass cages with animals, which can be interpreted as an attempt to save some of the wildlife from death as a result of a nuclear or biochemical war.
Another fresco depicts universal peace, however, notice that it depicts the peoples of the earth who give their weapons to a blond boy in a tie and gray vest, who is busy bending "swords into plowshares."
Below we see a lying dead figure in military uniform and a gas mask. However, the "plowshares" have a rather strange shape - so that we have a question, is not a new sword being forged under the guise of an agricultural tool from all this?
And these suspicions are not groundless - because to the right of this fresco there is another, the one about genocide. And these two pictures definitely form a single whole: they are united by a rainbow coming from one corner of the fresco to the other.
And this next fresco (genocide) depicts a huge figure of a military man in a gas mask, with a machine gun and a sword in his hands, apparently revived from the last fresco. With the sword, he kills the dove from the previous picture, which, as you know, symbolizes peace, hinting that the world will be destroyed. Some waves emanate from the figure, which symbolize poisonous gas or biological weapons that will destroy everyone who meets on its way. We can also see an endless line of women receding beyond the horizon, carrying their dead children. And a group of orphans sleeping on bricks. This fresco predicts the destruction of millions of people.
And the last fresco depicts a happy humanity after a catastrophe, apparently the very ones who will be allowed to live. However, even without taking all this into account, just looking at this picture, it seems that something is definitely wrong with the people depicted on it. They are very similar to the "happy" people zombified under the program of mental control, as if they had stepped out of the illustrations of brochures with which Jehovah's Witnesses are worn.
In peace and harmony with nature ... after the genocide.
For the creation of these murals, Leo Tanguma allegedly received $ 100,000 and officially represent "peace, harmony and nature."
Terminal granite floor
Inexplicable signs and symbols on the floor and walls of the structure confuse visitors. For example, in the most prominent place in the main hall of the airport, which, by the way, like the meeting rooms in Masonic lodges, is called the Great Hall, there is something that, upon closer examination, turns out to be a memorial plaque, however, it is also very strange. This is the final stone of the time capsule terminal laid by the Freemasons. The capsule should be opened in 2094.
At the bottom of the stone, a mysterious organization called the New World Airport Commission is mentioned - the Commission for the construction of the airport of the new world.
Top of the plaque. What is it? Alien language?
The granite floor of the airport is also permeated with strange symbolism, many strange symbols: one of them especially attracts attention: a sign on which the letters AU AG are written, some believe that these letters simply mean gold and silver.
Maybe, but - one of the sponsors of the new airport is the Nobel laureate in medicine Baruch Samuel Blumberg, who discovered a new deadly disease called the Australian Antigen AU AG. Coincidence? But it is also a coincidence that this plaque is located on the floor directly opposite the fresco on the wall, which is called "Genocide".
The $ 2 billion (!) Granite that was used in the flooring was imported from all parts of the world: Asia, Africa, Europe, North and South America: it is used to make the floor of the main terminal. Paul for two billion ?! The creators of the airport say that "... the floor pattern echoes the design of the roof and subtly supports the flow of passengers" flowing on the granite floor. " Yes, yes, those same subliminal messages, and strange writing on the floor ... However, one must think that the floor would look no worse if they brought material for it from somewhere closer. Many of us will be able to tell the difference between Chilean granite and Chinese granite? And how many people even think about what the floor is made of: after all, all they need is to walk on it and not be late for their flight.
The floor contains brass inserts depicting obscure artifacts of extinct animals found in the surrounding area, as well as words in American Indian languages that have a mystical meaning.
But you will not find any information board that will explain to you the contents of these inserts (as well as all the other oddities at the airport), which makes everyone just cheerfully step over all this, with the words: wow, why is all this here, is it really all for us ?
Gargoyle in the luggage compartment
Next to one of the chimeras is a memorial plaque that says Notre Denver. The name of a well-known company is written on the handle of the suitcase - “Samsonite”, in the same suitcase the “red button” is stored.
All the symbols and murals at Denver Airport symbolize a new world in which a small number of people will live in "harmony" with nature under the strict control of world government, which is the goal of the New World Order, which symbolism is represented throughout the Denver airport. The symbolism of the airport can be discussed indefinitely, the only thing that cannot be doubted is the fact that this structure is literally permeated with riddles and mysticism, as well as the fact that under the airport building itself, most likely, there is a mysterious object.
The G7 is the voice of the Trilateral Commission. The behind-the-scenes decisions made there are brought into the public sphere by the "seven". Which once again proves the puppetness of Western leaders dancing to the tune of shadow conceptual centers ...
In whose ultimate interests does the entire system of global governance operate - in the economy and beyond? Open any portal with the equity structure of leading multinational banks and companies. And very quickly it turns out that the owners are the same for all - "institutional investors" and "mutual funds" of ten or fifteen of the same asset management companies.
The holding of the next summit of the G20 (G20) in Osaka revived the information field for the discussion of what exactly constitutes the G20, as well as other elite "groups", in particular, the "Group of Seven" (G7), which often and are not quite rightfully opposed to the UN.
Everything in order. The structure of the global governance system was revealed in his works by the great ideologue of globalism Jacques Attali, ex-head of the EBRD, adviser to François Mitterrand and economic mentor of the current French President Emmanuel Macron. In the "new world order", which was first publicly spoken about and the establishment of which George W. Bush, Sr. urged in his message to the US Congress in 1990, J. Attali deduced three components - the "world orders" of the sacred, power and money.
For the "world order of the sacred" - the notorious "new world religion", created on the basis of the integration of various religious and confessional systems and beliefs, the Vatican is "responsible" "Elder brother" of Christianity (the concept of Judeo-Christianity). In 1977, the fifth report to the Club of Rome by Erwin Laszlo "Goals for Humanity" appeared, in which the "hierarchy of world religions" was derived, led by Judaism.
The next important stage in the development of the ecumenical process was the adoption in 2001 of the Ecumenical Charter; this is a large and separate topic. Let's just say that the history of ecumenism goes back to the middle of the 19th century, and the ecumenical organization received a single organizational form in 1948, when the World Council of Churches (WCC) was created at the Amsterdam Congress, which behind the back is called the "Protestant Vatican."
The “world order of power” is a euphemism for political governance, the current system of which dates back to the first half of the 1970s, with the creation of the Trilateral Commission. A brief background is as follows. At the end of the 19th century, at the zenith of the power of the British Empire, thoughts began to arise about how to extend the British imperial model to the whole world.
Strictly speaking, for the first time such ideas appeared much earlier, back in the 17th century, against the background of the Protestant Reformation in England, where they were put forward by the adviser of Elizabeth I, John Dee. The revival of these ideas in the Victorian era is associated with the name of Cecil Rhodes, the provocateur and instigator of the Anglo-Boer War, who founded the named after him Rhodesia and the diamond monopolist - the De Beers company. Rhodes is the founder of the Round Table Society (1891), within which, after his death, around his successor Alfred Milner in 1910-1911, a "narrow circle" arose - the Round Table.
After the First World War, when plans to turn the League of Nations into a "world government" collapsed in Russia with the Great October Revolution, the Anglo-Saxon elites began to play for a long time. In 1919-1921 the Round Table was transformed into the British, since 1926 the Royal Institute of International Relations (KIMO or, in the modern interpretation, Chatham House).
At the same time, the Council on Foreign Relations (CFR) emerged on the other side of the Atlantic. This is an elite Anglo-Saxon bunch of "conductors" of promoting the "new order", part of which was the organization of the Great Depression when Hitler came to power. Having failed in World War II - not a European split was planned, but complete domination and dictatorship of the Anglo-Saxons - the elites of the Anglo-Saxon world began to "rake" under themselves that part of Europe that was under their control: the Marshall Plan, the Western European Union, NATO, the European Union coal and steel (ECSC).
In the non-public sphere, the Bilderberg Club (group) was established here in 1952-1954. The link KIMO - CMO in this scheme is the pivot of the "pyramid" of global governance. Bilderberg is the bottom, widest "pancake" of the European elites put on him. The next "pancake" on the "pivot" was the Trilateral Commission, which supplemented the unification of the Anglo-Saxons and Western Europeans with the Japanese, and since 2000 - the Asia-Pacific component as a whole.
The headquarters of CFR, Bilderberg, Trilaterali (Trilateral Commission - TC) are all in the headquarters of the Carnegie Endowment in Washington. David Rockefeller headed all three structures from decade to decade. Community "David Rockefeller Fellows" is still reflected on the official website of the TC. As well as the "pilot" regions and projects presented on the website of the Rockefeller Brothers Foundation, which strikingly repeat the range of UN themes and programs: respectively, China, the Western Balkans, as well as democracy, sustainable development, peacebuilding, rock art and culture (exactly in such sequences: culture in the background of rock).
Now attention to two things. First, the Big Seven (G7) is not an international organization; it does not even have a charter or other setting documents. This is not a "club of the elite" either. And what? The Seven is the mouthpiece of the Trilateral Commission and meets every year some time after its annual meeting. The behind-the-scenes decisions made there, or, let's say, the recommendations of the "seven" are brought to the public sphere.
This proves once again both the puppetry of Western leaders dancing to the tune of shadow conceptual centers, and the senselessness of being in the "seven" of Russia, which even at that time never participated in the discussion of the most important issues of financial and economic management that "did not concern us" ...
And the second thing: the setting document for the entire system of the "world order of power" is the second report to the Club of Rome by Michael Mesarovich - Eduard Pestel "Humanity at the Crossroads" (1974). It presents a "ten-regional model" of the international division of labor: the western core of the world-system in it remains the core, and the rest of the periphery - the periphery. Ten regions are united into three blocks under the control, respectively, of the Anglo-Saxon elites (KIMO-SMO), Anglo-Saxon + European (Bilderberg) + the same and Japanese, as well as other Asian (Trilateral Commission).
The only country that, in this model, is torn between two blocs - European and Asian - is Russia. Therefore, participation in the "seven" in an attached chair is not even "self-satisfaction", but complicity in self-destruction. To justify it, the crafty formula “Europe from Lisbon to Vladivostok” was born in due time to replace “Europe from the Atlantic to the Urals” formulated by Charles de Gaulle, where the divided Russia was supposed to end.
The "world order of power", according to the formula of the first director of the Trilateral Commission, Zbigniew Brzezinski, is directed "against Russia" and is being built "at the expense of Russia and on its ruins." Hence the "litmus test" of the authenticity of supposedly new times and trends, which supposedly "leave in the past" the old, elite model of globalization. We will willingly believe this, but only if and if the Trilateral Commission either ceases to exist or changes its format, say, to a “four-sided” one, in which a “Russian and post-Soviet” bloc will appear, and the Eurasian Economic Commission will enter the structure of the Economic and Social Council (ECOSOC ) UN. Until this is observed, all the talk about "globalization for all" is noodles for the purpose of lulling public opinion.
Now about the "world order of money", which is the only one that is exposed in the public field. But not completely. In plain sight - only the G20, as well as the IMF and the World Bank Group, which are closely associated with the G20 on the one hand, and with the UN, on the other. In the G20 they are the 21st and 22nd participants officially invited to all meetings, and in the UN they are specialized partner agencies. Therefore, it is wrong to oppose the G20 and the UN: these are different structures with different tasks, tied to a single governing nucleus, which, with their help, is pursuing its line both in the UN and in the G20.
From this moment, as they say, let's go in more detail, gradually revealing the foundations of the system of global economic governance and its relationship with the system of global political governance.
So, before getting to the idea of what the G20 is, it is necessary to start with the "Washington Consensus". This is, firstly, a set of liberal-monetarist "rules of the global game", and secondly, a set of certain institutions. Which ones? First of all, it includes the world's only Treasury, of course, the American one. Leading central banks, issuers of the main reserve currencies - the dollar, pound and euro: the Fed, the Bank of England and the ECB.
Finally, the so-called "world central bank" is a collective union of the IMF, the World Bank Group, and the Basel Bank for International Settlements (BIS). We have already mentioned the links between the IMF and the World Bank with the G20, on the one hand, and with the UN, on the other. They are in plain sight, this is the face of the "world central bank". Its core is the Basel BIS, which in the public sphere, unlike the IMF and the World Bank, does not shine from the word at all.
The Washington Consensus is hardly spoken about today. But he did not die, as it is believed. A vivid example is the violent reaction of the West to the trolling of Vladimir Putin about the exhaustion of liberalism. Even clearer. In 2010, at the G20 Summit in Seoul, the Seoul Consensus emerged. Unlike "Washington", it is not liberal, but social democratic.
Some fell for the ruse. The first in this row was IMF Managing Director Dominique Strauss-Kahn, who in April 2011 raised these ideas on the shield, for which he soon "ran into" a story with a black maid. That is, the Seoul Consensus turned out to be a livelihood for high-ranking elites. The "conductors" who planted it did not want to change anything, but launched Seoul through an official decision of the G20 in order to find out the supporters of change. That is, they used the "twenty", as it is more fitting to put it, "for delicate purposes."
The Basel BIS was created in 1930 by the Hague Agreement on the basis of the Swiss Banking Charter under the project of German reparations to the West for the First World War. But when Hitler annulled them three years later, the bank quickly switched to financing the Nazi regime. The financiers of the Western "democracies" and the Third Reich successfully cooperated in it throughout the war, and in the economy of Hitlerite Germany itself, the two largest industrial associations - I.G. Farbenindustrie and Vereinigte Stahlwerke - ruled the show.
Formally, the holdings were German, since they were based in Germany, but the Americans and the British dominated among the shareholders, and the management companies were located in the United States. It is no coincidence that after the war, the archives of both these octopuses were first “lost”, capable of shedding light not only on the touching connection of the West with Nazism, but also on their organically inextricable connection. Then they were generally divided into parts. This is how the ends hide in the water, and this is far from the only example.
Today the BIS is the "central bank of central banks" to which all central banks are subordinate through appropriate agreements with the governments of supposedly sovereign countries. Has anyone wondered where the liberal dogma about the "independence" of central banks came from? From there, that if you are "independent" from your authorities, then you obey strangers. Why do you think the BIS does not climb on the front pages of newspaper pages? That is why: money loves silence, and the external management of national money emissions - even more so. It is carried out by different means - with the help of the Basel agreements (Basel-1, "-2", "-3"), as well as through the very "twenty", in the structure of which there are corresponding tabs.
Are all central banks members of the BIS Basel Club? No, not all - the two main exceptions are North Korea and Syria. Do you need comments? Russia has been in this club since the time of the "seven-bankers", since 1996: they really needed money for the elections of Yeltsin.
The BIS had ten founders: five states - Belgium, Britain, France, Germany and Italy, who made up the bank's board of directors, four private founders - American banks closely associated with the Fed, and one Japanese private bank. On this basis, the management structures of the BIS were formed, from which (attention!) The G20 subsequently emerged.
The heads of the five central banks of the founding countries, five representatives of large banking businesses nominated by them, as well as one representative each of the central banks of Sweden, Switzerland and the Netherlands - this is the BIS board of directors. Eight of its members represent the leading central banks associated with states, and five more are large private bankers. Integration of public and private banking business starts from here, and then we will see who is in charge in this connection.
The Board of Directors together with the USA, Canada and Japan is the so-called G10 - the "Group of Ten" (although it has eleven members, but it is called the "Ten", because the Swiss representation is informal, like the "masters of the field" and the Charter of the same name of 1930. ).
And now attention - two arithmetic operations. First. Sweden, Switzerland, the Netherlands and Belgium are subtracted from the eleven members of the top ten, and seven remain. And second: to this seven, that is, in fact, to the Board of Directors of the BIS minus Belgium, countries of the "second order" with the "largest economies" are added. Five BRICS members (Brazil, Russia, India, China and South Africa). And also Australia, Argentina, Indonesia, Mexico, Turkey, Saudi Arabia and South Korea. It turns out nineteen.
The EU has the twentieth mandate, the 21st and 22nd, "out of competition", as we remember, from the specialized partner agencies of the UN - the IMF and the World Bank. Their participation in the "world central bank" is put out of brackets, as is the third participant - the BIS. This is understandable: how can he sit in the "twenty", if it came out of his womb, and is controlled by it? Moreover, from two sides: both by the central banks of the Basel Club, and by the "visible parts" of the "world central bank" - the IMF and the World Bank.
And what happens? It turns out that the "twenty" has a core - the countries of the "first order", that is, founders and other members of the BIS board of directors, as well as the G10, and the periphery - stepchildren from the countries of the "second order". Since the members of the Basel Club are everyone except Pyongyang and Damascus, the BIS and, more broadly, the “world central bank” are the authorities ordering the “tune”.
Others dance to this music, regardless of the size of, for example, the Chinese and Indian economies. Expecting to "take over control" at some point. Holy naivete! Until another, alternative system of institutions appears next to this system of institutions, there is simply nothing to “catch” the countries of the “second order”.
The meaning of a system with a core and periphery is simple and cynical. Decisions are made in the core, and the periphery is called in order to lead them through it and give them the appearance of consensus and "conformity to broad interests."
Let's digress for a second in order to pay attention: there is nothing in common between the G7 and the G20, despite the participation of the figurants of the first in the composition of the second. The Seven is an instrument (not an institution) of global governance and is an appendage of the Trilateral Commission. The G20 is no longer an instrument, but a full-fledged global governance institution, an appendage of the BIS and, in general, the “world central bank”. Both types of governance are linked through the UN and its “new” institutions that emerged after the destruction of the USSR and are associated with “sustainable development” and “peacebuilding”.
But let's not go into the jungle - this is a separate topic. Let us just state that the erosion of the UN in connection with the increase in the number of ordinary members does not give rise to any crisis: the size of the crowd does not affect anything and does not change anything. And what influences and changes? Again, only the creation of a parallel world-system that generates a global dual power.
Why didn't the late John McCain's idea of the League of Democracies get through? Because in the West itself, minds more adequate than the possessed senator realized that with its creation there would be isolation from the existing system of institutions headed by the UN, which, having remained ownerless, would very quickly be privatized by China and Russia.
As for the claims for the reform of the UN Security Council, everything is much more complicated here than some people imagine. In December 2004, the report “A Safer World: Our Shared Responsibility” was published (UN document A / 59/565); in it, the time frame for resolving this issue is assigned to 2020. There was no information about their removal from the agenda.
It is another matter that Russia and China are in solidarity against the reform of the Security Council, and now India, after the SCO summit in Bishkek, has stopped insisting on its permanent membership. Therefore, progress can be made. We are waiting and monitoring: if progress is made, a new report will appear, just like the one named, under the auspices of the UN Secretary General. And in order for it to appear, a new working group will be created, which will be officially announced, and the information will be on the UN website. So far, this has not been observed: documentary facts, in contrast to conspiracy speculation, are a stubborn thing.
So, the G20, which is a product of the BIS, is linked to the UN through the IMF and the World Bank. In other words, it is under the complete control of the "world central bank", without which the UN does not work either. By the way, the G20 was created not in 2008, when its first “anti-crisis” summit was held in Washington, but in 1999, but in the format of heads of central banks and ministries of finance, which once again clearly demonstrates dependence on the BIS. In 2008, the group was simply transferred to the format of heads of state and government, which proves the man-made nature of the crisis that broke out then, under which, it turns out, international institutions were created and brought down in advance.
In 2009, at the London G20 summit, the FSB (Financial Stability Board) - the Financial Stability Board - appeared in its structure. This is the aforementioned tab in the "twenty" from the side of Basel. In the BIS, it is closely tied to the Basel Committee on Banking Supervision, which appeared back in 1974, which, in turn, is controlled by the G10 group with a core in the form of the BIS Board of Directors. That is, the countries of the "first order", where the "second order" is not allowed even to a cannon shot.
Once a year, in November, the FSB publishes lists of banks that are “too big to burst,” and the respective issuing centers help them with freshly printed cash (QE programs). Upon closer examination, it turns out that assistance is provided to the same list of banks that are part of a number of banking networks, the existence of which is not hidden, but also not advertised.
There are four such networks, not counting the FSB list, and this is again a separate topic. One global, centered in London, which controls the price of gold. This is the former "golden five", now, since 2015, the "thirteen" with the participation of three state-owned banks from China. Two networks in Europe: the private Inter-Alpha Group of Banks, controlled by the Rothschild clan, and the EU Financial Services Roundtable (EFSR). Another network is the Financial Services Forum in the United States.
All networks are intertwined with each other and made up of banks representing the interests of all major financial oligarchic clans and groups, including the Vatican. But let's pay attention to this. The FSB is part of the BIS and G20 structure. It is nominally formed by governments. However, assistance through inclusion in the lists is provided to private banks, on which, as if on command (however, why "how"?) A generous rain of reserve emissions is poured. What is this?
Here's what. The interweaving of “personal” wool with “state” is the principle of global governance, with the help of which emission centers are forced to serve private interests. Let us recall how central and private commercial banks coexist in the structure of the BIS board of directors. But that's not all. The BIS has a conceptual center that is not formally included in its structure - the Group of Thirty (G30) or the “Thirty”, in which there are approximately equal numbers of ex-heads of central banks, including reserve emission centers, and private bankers.
Moreover, it is a widespread practice that retired "central bankers" get "mega-salary" places on the boards of directors of private banks at the exit, intertwining personal interests with them. That is, it is in the “thirty” that state interests are matched by private interests. And everything that the BIS does in the direction and management of central banks is developed and initiated by the G30.
Roughly speaking, if the BMR is the external center in relation to the G20, then the G30 is the same external center in relation to the BMR itself. And this means that the world financial and monetary system within the existing world-system is under the "reliable" control of the oligarchy. And the rest of the structures of the "world central bank" - the IMF and the World Bank Group - are extending oligarchic control over the UN and its institutions, promoting the globalist agenda with the help, as already noted, of "sustainable development" and "peacebuilding".
This is the whole foundation of the world model, which cannot be corrected. It can either be destroyed in a world war, or, if you feel sorry for the planet and the people living on it, you can bypass it with the help of a parallel, alternative world-system of global dual power, which existed in the first Cold War.
Another touch on how private interests control states. The "Big Three" international rating agencies - S&P, Moody’s, Fitch - issue credit ratings to economic entities and countries, which are "guided" by investors. The agencies are private, and depend on these ratings of the state. If earlier it was necessary to introduce tanks into an unwanted country, now it is enough to bring down its rating.
And again, it is impossible to escape from this within the framework of the existing world-system. Russia has no external debts, but Russian companies, including those with state participation, have enough of them. We need our own rating agencies, but since all the places on Olympus in the existing world-system are already occupied by the Big Three, such a tool will be effective only in a parallel world-system, with its own coordinate system.
And the last thing. In whose ultimate interests does the entire system of global governance operate - in the economy and beyond? Open any portal with the equity structure of leading multinational banks and companies. And very quickly it turns out that the owners are the same for all - "institutional investors" and "mutual funds" of ten or fifteen of the same asset management companies. Regardless of the scope of business and nationality of specific companies.
Here is a sample list: Capital Group, Vanguard, BlackRock, State Street, FMR, J.P. Morgan Chase, Citigroup, Barclays, AXA, Bank of New-York Mellon Corp. and a few more. These are the ultimate beneficiaries of the world economy, or rather, the ultimate beneficiaries are their real owners, who, apparently, can only get to the bottom through the intertwined system of dummy “owners”, and not everyone.
But this only means that the entire so-called "market" economy is in fact not governed by any "seven" or "twenty". And not even the UN. And in general, not by competition, but by the monopoly of a super-narrow circle of not even legal entities, but individuals. Station stalls compete, and the oligarchs negotiate and share spheres of influence and feeding troughs. And with them - and world power in the world-system called "global capitalism".
There is only one way to leave this cell - by creating your own world-system. This is exactly what was done by Great October a century ago. And that is why that October - Great and still instills so much hatred in power and property in those in power.
At one time, Soviet intelligence reported to JV Stalin that the real government of America is the "round table" of dozens of leading capitalists. This information was officially confirmed in 1993, when the National Economic Council (NEC), a government agency within the administration, was created in the United States. It is chaired by a president and ruled by a director with the rank of presidential assistant for economic policy, typically from finance companies and their affiliates.
The functions of the NES include coordination of domestic and foreign economic policies, preparation of analytical reports and draft decisions of the president, as well as monitoring the results of the policy pursued. In other words, the official US government is the administration, while the de facto US government is the NES, which makes sure that the interests of large owners, primarily the oligarchs, are not infringed upon.
Following the privatization of property, the circle of privatization of power has closed. That is why if anything in the outcome of the Osaka summit inspires very cautious optimism, it is precisely the erosion of the G20 with its actual disintegration into bilateral formats. You look, this "ice" will break, gentlemen of the jury ...
What year is the tragedy of September 11
Battle of Donetsk Airport
Fairy Riga for the new year
Cape Formentor, Majorca, Spain - beach, hotel and photos
Thailand by early booking