What an old Italian bridge is located in Verona. Verona, from myths to reality

  • 27.10.2019

Ponte Pietra (Ponte Pietra) is the only arrow bridge in Verona, which was built in the era of the Roman Empire and was preserved to the present day almost in pristine. The name is literally translated from means "Stone Bridge". The length of the structure is 120 meters, the width is slightly less than 4 meters. Connecting the banks of the Adige River, in one end, it literally rests on the old watchtower.

Ponte Pietra is the first stone bridge, built on the territory of modern Verona in about 89 of our era. It consisted of five spans made in the form of the Arch, and initially carried the name Pon Marmoreus (PON MARMOREUS) - the marble bridge, on the main material that was used for the construction. On him ran into the ancient times the road, which connected shopping city and Brenner's pass in the Alpine Mountains.

Because of the large number of rearrangements, Pont-Marmoreus changed the name (and, accordingly, the main material of the masonry) and began to be called Ponte Pietra. A similar arched bridge - Ponte Postumio was erected next to him. Together they are one architectural ensemble We framed an ancient Roman theater, partially survived to this day.

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Closer to the end of World War II, the Germans, retreating from the dilapidated Verona, undermined all bridges in the city, including ancient Ponte Pietra. Fortunately, photos and specifications Constructions. This made it possible at the end of the war to raise his fragments from the bottom of Adige and rebuilt again, almost completely retaining the original appearance. True, marble masonry had to be partially replaced by other materials, including red bricks. As a result, Ponte Pietra acquired a rather original appearance, which is known to current residents and guests of Verona.

Attractions near Ponte Pietra

Near the Ponte Pietra there are other interesting things. The most important of them is the ancient Roman Theater (Teatro Romano), built at the beginning of the 1st century of our era. Up to modern times, fragments of the orchestra were preserved, where there were places for noble spectators, the scene and part of the ancient temple, which was part of the theatrical complex.

Not far from the Roman Theater, San Girlamo Monastery is interesting primarily by the fact that in his walls is archaeological Museumhaving a rather rich exposure.

Going through the river, you can be next to the Church of St. Stephen - one of the most revered celestial patrons of all of Europe and especially Italy. According to some versions, it was the church of St. Stephen who served once the city temple of Verona. Together with the bridge, these attractions form an amazingly beautiful architectural complex, which can be admired almost infinitely.

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Ponte della Vittoria Or Victory Bridge in Verona is decorated with groups of sculptures of different authors. From the historic center of the city author of sculptures Mario Salacezari Created them in 1934, and by the residential area of \u200b\u200bBorgo Trento - sculptor Angelo Bianchi. In 1931.

Bridge Vittoria Named so in honor of the victory under the city of Vittorio Veneto on November 4, 1918, in the decisive battle of the First World War in Italy, where the Austrian army was defeated. The entire urban bridge is devoted to the First World War, its streets and squares are connected with places and dates of this war (Street November 4, Diaz, Vittorio Square Veneto and many others). To create a new bridge connecting the city center with Borgo Trento, a competition was announced. Of the 40 projects presented on it, they chose the project together with Feruchcho Chipriani. The main condition for the project of the new bridge was a budget, it was possible to spend no more than 2 million lire on it.

victoria Bridge, 1943

Bridge Vittoria Binds the historic center with Borgo Trento and meets all the conditions set: simple, strict, reliable, monumental, combining classics and modernity. It is created from reinforced concrete, which gives it the necessary strength. The bridge is covered with a stone and, thus, fits perfectly in the context of the historic city center. It is quite smooth and low, because the transport function has already disappeared from the twentieth century and it was not necessary to provide high spans of the bridge for boats and barges. If we compare bridges located next to Ponte Victoria, then they are much higher in the middle and cooler, this is the Roman Stone Bridge - and the medieval Castellovekio Bridge. On them horses first rose to the middle of the bridge, and then descended. The new bridge Victoria had two spans from the coast of 32 meters, and the middle - 35 meters, i.e. Not much higher, and it was more convenient and mannere.

On the side of the shores on the bridge, small platforms were designed for the example of ancient bridges, for the viewing of the surroundings (the panorama opens beautiful). Later, 4 pilaster were built, on the basis of which memorial plaques were installed with reports from the fronts of the First World War and the River King Victorio Emmanuel III on May 24, 1915.

On pilasters installed sculptural groups. From the center of the center in 1934 - the work of the sculptor Salacezari Allegory Victory . Classic solemn statues are full of dynamics and realism. The realism of equestrian statues has led to the curiosity: One Signora told me that in one beautiful morning passersby, moving the Vittoria Bridge saw that the horses were dressed at night. It was during the fascism before World War II. For several years, the horses were "dressed" so that their anatomical details do not attract attention. Muscles, expressive men's figures, powerful horses are opposed to air and light female allegories of Victory and Motherland . The sensuality of these sculptures caused controversy, but expressiveness, dynamism and brightness do not cause doubts.

On the opposite side of the bridge, two groups of statues of work sculptor Angelo Bianchi.

Architectural heritage

Stone Bridge located in historical center Verona, literally 150 meters from the North Cathedral, represents not only the first stone bridge, which was once built in Verona, but also the first large marble structure in the city. Until now, he is given a lot of both historical and cultural meaning. He is the only romanesque bridge in the city of Verona, which, despite the past years and war, has never been completely destroyed. For the first time, the construction of the bridge at this place was engaged in the second century BC, his predecessor almost completely consisted of a tree, only after a while he was replaced by a stone construction. The times of destructive earthquakes, strongly shaking Verona in the XI-XIII centuries and entailed significant destruction of others architectural structures, Ruined bridge slightly, its small part was collapsed, but then restored again. More significant reconstructions were carried out only at the beginning of the XVI century, they led the Italian scientist and architect Fra Giovanni Jocondo. Second world War He tried to destroy the construction, despite the retreat in April 1945, the Nazi army almost completely destroyed the bridge, leaving only the arch located on the right bank of the Adige River. It is worth noting that it was erected at the end of the XIII century, representing a huge historical significance, after the war with the participation of the architect Piero Gazzole, its restoration began, as a result, leading to the creation of an accurate copy of the remaining parts of the bridge.

Features of the erected structures

The stone bridge, which today consists of five sizes different from each other, laid out with white marble and red brick. If you look closely, you can see that all the arches are based on specially equipped supports, which are immersed on the bottom of the Adige River. The third support is equipped with a small round window, and the fifth - semicircular romance window. According to historians, the initial design was decorated with four identical windows, which, after numerous medieval reconstructions, were laid, most likely, this was done with the purpose of making the design of greater stability and reliability. The stone bridge, called Ponte Pietra, from Italian Ponte Pietra sounds like a "bridge stone". Today, visitors from many countries of the world come to Verona to admire the beautiful Roman arched bridge, thrown over the Adige River. It is worth noting that the very first bridge, built at this place as early as 89 BC. e. I wore a completely different name, the locals called his bridge MARMOREUS, only after further significant rearrangements, the construction received its real name. A distinctive feature of the bridge is considered the old Watchtower, erected from one of the parties, and length equal to 120 meters. In addition, after the departure of German invaders, many bridges in the city were completely destroyed, and not yet restored. However, the stone bridge architects managed to collect original fragments from the remaining at the bottom of the river.

Romantic I. ancient Verona - The city where the Great Heritage of the Roman Empire has preserved and the lost poetry of the Italian Middle Ages. Antique amphitheaters still collect hundreds of viewers during theatrical festivals, and in the Romanesque temples of the VII-X centuries. Go services as in the former epochs.
Time on the streets of Verona has long stopped. It seems that noble families, montects and cabins still live in the houses of the XIII century, and the beautiful Juliet is about to come to her balcony to tell the Moon and the stars about their love for young Romeo.

Verona is famous and important tourist center Italy. The beauty of urban architecture and natural landscapes attracts thousands of tourists from all over the world, and a beautiful love story, invented by Shakespeare, as a magnet attracts enthusiastic couples.

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What to see and where to go to Verona?

The most interesting I. beautiful places For walking. Photos and a brief description.

Building house of the XIII century on Via Capello Street. It is here, according to the legendary Shakespeare tragedy, a young Juliet cabuleti lived with his family. In the courtyard installed a statue of heroine, the famous balcony comes to the courtyard, and the Museum is located in the house. This romantic place is constantly flooded by tourists, in love with all over the world try to capture a kiss under the balcony of Juliet or attach a note to the wall with wishes.

The tomb is a sarcophagus of red marble, which is located in the San Francesco al Corso's crystrice of the Franciscan monastery. It's believed that tragic story Love Romeo and Juliet ended here (lovers received poison). The tomb is not inferior to the popularity of the Juliet's house, hundreds of people come here every day. It is believed that the attraction is specially created in the 20th century to attract more tourists in Verona.

Home family of the XIV century family, where according to the ideas of Shakespeare fans and local residents, lived Romeo. The building is a powerful medieval building. The external facade is made in the romance style, a gothic style is traced in the upper floors. The family of the montecc never owned this building. Romeo's house is located just 150 meters from the Juliet House. The structure is private property, so inspection is possible only outside.

One of central Square Verona, public and commercial center of the city. Piazza is so great that is considered the biggest in all of Italy. The facades of the Palazzo XVII-XIX centuries come to the square. The space is decorated with monument in honor of King Viktor Emmanuel II and a sculptural group depicting Italian partisans. The Amphitheater is also located on the square, erected in the ancient Rome era.

An antique theater, which is still used for direct intended. Every year, opera festivals are held here, where the best troupes from around the world come. The amphitheater takes all sorts of concerts, festive performances, large-scale musical events. Arena di Verona was erected before the Roman Colosseum - in the 40s. I century AD Sightseeing can be visited outside the concert within the framework of the excursion.

The medieval area on which the city authorities of self-government always disposed. Now this place is a popular tourist attraction. On the square there is a monument to Dante Aligiery. The poet lived in the Palace of Palace of 13 years old at the invitation of the Kang Grande, the Rock of Verona. Dante was expelled from his native Florence and wandered in different cities to death.

The oldest Square of Verona, erected on the site of the Roman Forum. Piazza is surrounded by historic buildings of different eras. Here you can admire the Gothic House of merchants, the building of the People's Bank Verona, the House of Mazzanti, Palazzo Del Comun. The central composition is the Madonna Verona Fountain, erected in the XIV century. The statue of Our Lady was created on the basis of the Roman prototype of the IV century.

Palace of the XV-XVII centuries, a real masterpiece of Italian baroque architecture. The facade is decorated with statues of Roman gods, elegant balconies, arches and half colonents. The building is adjacent to the strict brick tower del Gardello with the XV century watch clutch. Opposite the palace installed a column of St. Mark with a winged lion - the symbol of the Venetian republic, since Verona was for some time the possession of Venetians.

A medieval defensive structure on the Adige River, which was erected to create a barrier before the passage of enemy ships. The castle began to build after coming to power of the family of Della Rock. Thanks to Castelweko Verona by the middle of the XIV century turned into a real fortress city. In the courtyard installed the statue of Gang Grande della Rock, inside the castle there is a museum with collections of weapons, painting, ceramics, jewelry.

One of the main urban temples, erected in the harsh Romanesque style. The cathedral was built at the end of the XII century and upgraded in the XV century. The interior is made in a later gothic style, it has red columns, blue arches with gold stars and "air" arches. The cathedral stores unique works of art and items that have survived from the XII-XV centuries.

Romanesque church, raised at the place of Zinon Veronian's grave - the first local bishop. The basilica was built in the 10th century under the emperor Ottone Great, in the XII - XIII centuries. Some elements were replaced and several connections appeared. In this form, the temple stood until the XIX century, until it came to the launch. The restoration was held in 1993, after which the Basilica was re-opened for visits.

Catholic church of the VIII century, based in honor of the St. Lawrence of Roman. In those distant times, the church was behind the city feature, now it enters the central part of Verona. Despite the fact that the building was repeatedly rebuilt, his architecture is a bright example of an early Romanesque style. The church interior has been preserved since the XII century. Inside are the tomb of the notable families of Trivnel and Nogarol.

Dominican Church of Saint Anastasia, built in the period 1290 - 1481. The external facade of the temple is quite a breaker, but the interior is amazing the magnificence and luxury of the decoration. The internal space of the Basilica consists of marble columns, picturesque frescoes on the vaulted ceiling, sculptures, chapel and brilliant altars of the notable names of Verona. According to its wealth, the interior of the Basilica Santa Anastasia exceeds the decoration of the Cathedral.

Gothic tombstones of the representatives of the Family of Scaligerians - Verona rulers in the XIII-XIV centuries. In total, there are three arches - Kang Grande I Della Rock, Cansignorio and Mastino II. Next to them are the graves of some other representatives of the genus. Arches are considered an outstanding model of Gothic architectural style. They are located next to the Church of Santa Maria Antique VII century, which served as palace chapel during the boards of scaligers.

Ancient Roman triumphal Arch, erected in the first century AD. In honor of the notable kind of Gavia on the project of the architect Lucia of CyrDon. Until the XVI century, the construction was used as an urban gate, in the next centuries around the arc began to appear craftsmen and shopping points. At the beginning of the XIX century, at Napoleon, the Bonaparte Arch was dismantled and transferred to the amphitheater. The construction was restored and returned to the previous place in 1932.

Ancient gate of the period of the Roman Empire, built in the first century AD. In the Middle Ages, the construction served as a military outpost and barracks for the city garrison, as well as a customs point for charging fees from merchants. The facade has preserved inscriptions on Latin, attributable to the III century AD. The gate has been well preserved, given their age in the 20th centuries. The name "Port-Borsary" appeared during the late Middle Ages.

Ancient Roman gate and the observation of defensive functions. Like Port-Borsary, Port-Leoni appeared in the first century AD, they were part of the defensive fortifications of Verona. Until our days, only part of the facade and the base of the towers reached. According to research, the gate was reached at a height of 13 meters. "Port-Leoni" in translation means "lion gates", this name appeared in the Middle Ages.

City gate, erected in the XVI century to enhance the defensive power of Verona. At the end of the XVIII century, the French conquerors were removed from the facade of the coat of arms of the Venice Republic, and in the middle of the 19th century, the construction was rebuilt with the Austrians who received power over Verona after the Vienna Congress. Despite the modernization, central part The gate has kept its original medieval look.

The tower is located on Erbe Square and is considered the most high building In Verona (height - 83 meters). The construction appeared thanks to the Lambert family in the XII century, at that time its height was only 37 meters. Over time, the tower rose to its current sizes. The structure is decorated with ancient watches and bells who have once announced the beginning of the war. If you wish, you can climb to looking platform and admire the views of Verona.

The ruins of the ancient theater on the slope of the hill of St. Peter. Throughout the entire period of the Middle Ages, the construction has been declining. Langobard houses were built on its territory, there was even a residence of one of the Ostroga kings. The theater was digging in 1830, when the place was cleared of old buildings. Due to the fact that he was underground for a long time, almost all parts of the structure were well preserved. In the summer, opera performances are held on the territory of the theater.

The exposition of the museum is placed in the building former monastery Not far from the Roman theater. The museum was organized at the beginning of the XX century. The collection was replenished at the expense of private collections and donations. Museum has a lot of ancient exhibits: sculptures, mosaic, ceramics, bronze statuettes, dishes and other artifacts. The preserved monastery church with frescoes of the XVI century is also included in the museum exposition.

Bridge of the XVI century, built by the will of the ruler Kang Grand II Della Rock. The construction connects Castelvekio Castle with the left shore of the Adige River. The bridge was supposed to provide a rapid and inconspicuous flight of Kang Grande in the event of a popular uprising. The landmark did not reach this day in its original form, as the German troops were blown up in 1945. The bridge ball is restored from fragments in the 50s. XX century.

Antique arched bridge I century AD, repeatedly reconstructed and rebuilt for long century existence. Once upon a time the bridge was part of the Roman post, which led from Genoa to the Alps. Like the bridge of scaligers, he was restored from the wreckage after the destruction during the Second World War. Ponte Pietra was the very first stone bridge in Verona, today this is the only preserved antique pontoon in the city.

Palace and park complex on hilly slopes in the eastern Verona. It is the Palace of the XVI century, surrounded by a landscaped park. Once this terrain belonged to the Tuscan Justie family. The complex is made in a classic Mediterranean style: the park is planted by cypresses and thuya, numerous alleys are decorated with antique statues and fountains. In the estate visited Kozimo Medici, Mozart, Goethe and Russian Emperor Alexander II.

The biggest italian lakelying at the foot of the Alps. It is located a few dozen kilometers from Verona. According to its own form, the reservoir resembles the medieval weapon of the same name, hence such a characteristic name. The surroundings of the lake - popular and prestigious resort, long chosen by tourists. Along the picturesque shores, cozy towns with hotels and excellent infrastructure stretch.

Verona was postponed in my memory not as bright as, for example, Florence or Milan. Nevertheless, this city is very beautiful and certainly worthy of visiting at least because he is one of the most romantic in Italy. Any schoolboy knows that the tragic events in the hostile family of montext and cabbage from the nonplus work of Shakespeare took place here, and Romeo and Juliet at home - almost the main attractions of this city. But I will start my story with them.

There are a lot of places in Verona, which need to be visited even at a minimum of time, which is usually among most tourists coming to Italy. But even better in Verona just for a walk, looking at the path every vintage house and realizing that these are the most stones, of which he was built, survived for their long life so much that even it becomes strange that they still exist.

...

Madonna on the wall of one of the houses.

We did this. And only then on books and photos I tried to restore the brightest, I remember visually monuments and temples, streets and Square of Verona, which I want to tell now.

The places I would like to see again in this city, I got nine.
The first place is, of course, the Roman amphitheater or, as the Italians are usually called the Amphitheaters - Arena. It is worth it, as he believes, on one of the main squares of Verona, where the citizens now celebrate all their mass festivals. Arena is considered the best of the preserved monuments of ancient time in the city (it was built in the first century of the new era) and the largest amphitheater after the Colosseum in the world. In ancient Roman times, up to 30 thousand spectators could be gathered here and look at the gladiator fights, circus performances, ristalies and even, from what I almost crawled under the table when I read, on the sea battles! For this, the scene of the Arena responsible for this case comrades were fully filled with water !!! Later, fights with bulls, theatrical and opera performances went on the arena. The size of the same amphitheater is amazed even now. He seems so ambitious that every faith is that he was built by two millennia back, disappears, because it seems that he could not survive so well since then to the present day. However, during the time of the Romans, he was even more. Then the amphitheater also existed an external ring, from which only fragments remained. True, in the 16-17th centuries, the visual stands of the amphitheater were rebuilt, and now they have no longer 30, but 25 thousand people. Of course, the Italians enjoy this and still spend different enchanting shows and concerts here, using and now arena for its direct appointment.

The second place is also for antiquity fans - the Roman theater. This is another little amphitheater, located on the opposite bank of the Adige River, on which Verona stands. We came out completely accidentally. It is interesting that he was built before the big arena, namely in the first century to the new era, and is considered almost the most old in Italy. Here at that time was the center of the Roman settlement and, in addition to the Amphitheater itself, many other ruins were preserved nearby.

True, due to earthquakes and floods, this amphitheater suffered greatly and looks not so much and impressive as a big isna.

The third place is the Ponte Pietra Bridge. It is very old Most Verona, which was also built into ancient times. True, it remains very little in memory of them - only the facing of two arcades located near the left bank of Adiges.

But with this humpback and a very cute bridge, one touching story is connected. During World War II, the Nazis, retreating from Verona, blew up all the bridges, including Ponte Pietra. But the townspeople somehow learned about it in advance, and managed to measure the bridge, make his photos and drawings. Immediately after the end of the war, they pulled out all the fragments of the collapsed bridge out of the water and connected them again.
My bridge on the bridge. :)

Fourth place - Sant Anastasia Church. This is the largest temple of Verona, which has been 800 years old, before he belonged to Dominicans.

Inside the basilica you can see the frescoes of famous masters, a particularly valuable marble floor, made in the 15th century. But personally, I remember the most memorable bowls for holy water, which support the shapes of two humpbacks - are so realistic that they are simply amazed by the Master's ability.

It is only known that they were manufactured in the 16th century, but who exactly and remained a mystery. According to one of the versions, they posed the unknown sculptor of Melniks from the nearest river mills. I wonder why these milbs were selling? From the severity of bags with the flour that they had to be transferred on the backs? Or is it still fantasy sculptor?

Place the fifth - Piazza della Erbe. Its name is translated as "Herbs Area", for, since the 15th century there was a green market here. By the way, the market is located here and now. True, they trade on it not vegetables, but mainly souvenirs, guidebooks and warm things, as a rule, with the symbolism of Verona and Italy. In the ancient times on this area there was a Roman forum, but nothing left of him now. Later, Piazza-della Erbe partially built up with different administrative buildings, most of which can be contemplated and now. The buildings are very beautiful. For example, the house of Mazzanti. He immediately attracts attention, because its facade is fully painted by frescoes on mythological plots. Or Arco-della-Costa, that is, "Arch with an edge", in the opening of which is hanging Slam sense to the china edge. The square has Berlin - a gazebo with a square base, where officials solemnly entered their urban positions. True, before her place was a shameful post, and I still think, is there any relationship in these two facts? :))
But the most important thing is that there is a Piazza della Erbe - this is the symbol of the city and his business card Fountain Madonna Verona, the image of which is now placed in all booklets, guidebooks and books about Verona. Oddly enough, it is not considered one of the oldest fountains of Italy, as it was built in the middle of the 14th century. But it is distinguished by its elegant forms.

Place Sixth - Duomo Cathedral, one of the most vintage temples of Verona. He was consecrated even in 1187, however, in the 15th century he was allowed, expanded and strongly changed the appearance. The cathedral is still considered the most important in Verona and, of course, acts. As in all the rest, you can come to the service. I will say honestly - the impressions are very unusual: as if they are transferred by car in the era, when the church was the most important element in the life of every Catholic. Everyone listened to the sermon as sincerely as then. And also here there are absolutely no tourists, which even more adds the feeling of the unusual of what is happening.

Seventh place - Piazza-de-Signoria. Once she was the most important area of \u200b\u200bthe city, on which numerous palaces stood, and where they were boiling public and political life. I also liked this area, first of all, I liked the monument to Dante Aligiery, the sculptor of Hugo Zannoni. Dante after he was expelled from Florence, lived in Verona, namely visiting the family of Della Scalla, as many as 13 years. And therefore, without a monument, Verona could not do without any.
Even on the square there is a cafe Dante with a style that has been preserved here from the 19th century. Despite the prices that in it is much higher than in all other Veronian cans, we decided to go. And received great pleasure. Vintage paintings and excerpts from the "Divine Comedy" on the walls, heavy tablecloths, descending from the tables almost until the floor, cups, saucers and teapots with the image of Dante's profile, and the main thing - fragrant tea with real cornflowers, which I tried here for the first time and I did not meet later anywhere else.
I am for tea.

But, besides all the above-mentioned Piazza's attractions, we could not not pay attention to Palazzo-Dei-Kansillo, which also stands on this area. True, this palace is more famous under the name of the loggia of Fra Jokondo. The name This wore Dominican monk, who, allegedly, built him and decorated it (although it was controversial). On the cornice of Palazzo, there are five statues. They depict them prominent Veronens of the Ancient Roman era: Katulla, Pliny, brand of vet and others. By the way, just on one of Piazza-dei-Signoria palaces, we first saw the original, from where the Aristotle of Phiorewanti took over the figured conclusion of the fortress wall of the Moscow Kremlin in the form of a "swallow tail". So, it became completely clear to us that he really recreated in Moscow what he repeatedly seen in his homeland.

By the way, the "swallow tails" we met in Verona repeatedly. For example, they decorate the entrance arch to the city and even the wall of the house Romeo.
Arch.

Eighth place - House Romeo. On the one hand, it is a legend. Romeo's house, built in the 14th century, actually belonged at all the montext family, and Veronea Carlo Nogarolo. But it turned out that it had long been considered to be considered a generic nest of a lovely young man, and all tourists, and sometimes the Veronians themselves believe in all the way. On the other hand, a legend legend, but who of us at least once in life did not think that Romeo and Juliet existed seriously, and their love was that neither to eat real? However, as well as many, not even Shakespeare was the author of the history of their love. The motive of his play, he learned from Novetteo Bandelly from Novella, and he, in turn, from Luigi's story Yes Porto. So, about Romeo and Juliet in England knew for a long time before the appearance of Shakespeare's works. House Romeo looks very colorful. This is a three-storey mansion in the Gothic style, built of red bricks.

On the wall before entering it hangs a sign with lines from the play in English and italian:
"Oh, where Romeo?"
"Leave me, I myself am now not yours.
I am not Romeo. He left somewhere! "

Now the house Romeo is the usual a private house. It is said that the authorities of Verona have long been negotiating with the owners to buy it away and open the museum in it. But the owners still have perseverance and are in no hurry to get rid of such an interesting property.
Ninth place - House Juliet. Of course, the legend, but more romantic than the Romeo house. In the house, Juliet is now a museum, it can be visited and even go to the balcony, from where she, alleged, tolerates the ardent speeches of his beloved. True, we did not get into the museum, nor on the balcony, nor even at home. January first, just when we were in Verona, the Juliet house was closed. To just approach him, you need to go through the stone arch.

But the arch was closed. So, we did not have anything, as together with the numerous public (by the way, mostly Russian origin), we should stare through the arch with the written walls in love, which by tradition leave all lovers here.

Wall arch with notes of lovers.


In principle, there is another place in Verona associated with the romantic history of Romeo and Juliet. This is the tomb of Juliet. It is in the crypt of the abolished Kapuchin monastery and is a hall with a single modest and empty stone sarcophag. The sad atmosphere fits perfectly with the spirit of the last pages of Shakespeare tragedy, and, probably, so People's Solva decided that the tomb of Juliet was here. True, we did not go to the tomb - they did not want to spoil themselves new Year's celebration Let romantic but so sad place ...